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001378250 001__ 1378250
001378250 003__ OCoLC
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001378250 019__ $$a1083683806$$a1085659523
001378250 020__ $$a9783030006594$$q(electronic bk.)
001378250 020__ $$a303000659X$$q(electronic bk.)
001378250 020__ $$z3030006581
001378250 020__ $$z9783030006587
001378250 035__ $$aSP(OCoLC)1084648508
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001378250 049__ $$aISEA
001378250 050_4 $$aML3800$$b.H62 2018
001378250 08204 $$a781.17$$223
001378250 1001_ $$aHøffding, Simon,$$eauthor.
001378250 24512 $$aA phenomenology of musical absorption /$$cSimon Høffding.
001378250 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2018]
001378250 300__ $$a1 online resource (xxii, 282 pages) :$$billustrations
001378250 336__ $$atext$$btxt$$2rdacontent
001378250 337__ $$acomputer$$bc$$2rdamedia
001378250 338__ $$aonline resource$$bcr$$2rdacarrier
001378250 4901_ $$aNew directions in philosophy and cognitive science
001378250 504__ $$aIncludes bibliographical references and index.
001378250 5050_ $$aChapter 1. Introduction -- Part I: Meeting the Danish String Quartet -- Chapter 2. How Should We Study Musical Absorption? The Phenomenological Interview -- Chapter 3. From Ragdoll to Battle Commander: The Experience of Musical Absorption -- Chapter 4. A Topography of Muscial Absorption -- Part II: Comparative Perspectives -- Chapter 5. Expertise, Mind Wandering, and Amnesia -- Chapter 6. Artistic and Aesthetic Experience -- Chapter 7. Flow -- Chapter 8. Dreaming and Sleeping -- Chapter 9. Schizophrenia and Ipseity Disturbances -- Part III. Phenomenological Underpinnings of the Musically Extended Mind -- Chapter 10. Performative Passivity -- Chapter 11. The Hive Mind: Playing Together -- Chapter 12.Conclusions.
001378250 506__ $$aAccess limited to authorized users.
001378250 520__ $$a"Examining skilled performance in all its fascinating and mysterious intensity, Høffding really listens to his informants, developing exciting novel methods for interdisciplinary research on expertise." --John Sutton, Professor of Cognitive Science, Macquarie University, Sydney, Australia "A valuable addition to the growing field of music and philosophy, the results are as fascinating as they are enlightening, and would be of interest to anyone seeking to explore the rich complexity of musical experience and the ways in which it is possible - and indeed desirable - to understand ourselves through it." --Nanette Nielsen, Associate Professor, University of Oslo, Norway "This is a study conducted from the inside out - starting inside the masterful musical performances of the Danish String Quartet, explicated in a detailed set of interviews with the musicians. Høffding brings the latest developments in phenomenology and cognitive science to bear on these issues, and creates one of the rare places where expertise in phenomenology meets expertise in musical performance - an overall performance not to be missed." --Shaun Gallagher, Lillian and Morrie Moss Professor of Excellence, University of Memphis, USA This book presents a detailed analysis of what it means to be absorbed in playing music. Based on interviews with one of the world's leading classical ensembles, "The Danish String Quartet" (DSQ), it debunks the myth that experts cannot reflect while performing, but also shows that intense absorption is not something that can be achieved through will, intention, prediction or planning - it remains something individuals have to be receptive to. Based in the phenomenological tradition of Husserl and Merleau-Ponty as well as of Dan Zahavi and Shaun Gallagher, it lays out the conditions and essential structures of musical absorption. Employing the lived experience of the DSQ members, it also engages and challenges core ideas in phenomenology, philosophy of mind, enactivism, expertise studies, musical psychology, flow theory, aesthetics, dream- and sleep studies, psychopathology and social ontology, and proposes a method that integrates phenomenology and cognitive science. Simon Høffding is a postdoctoral researcher at the Department of Musicology, University of Oslo, Norway.
001378250 588__ $$aDescription based on online resource; title from title page (Ebook Central, viewed March 15, 2019).
001378250 650_0 $$aMusic$$xPerformance$$xPhilosophy and aesthetics.
001378250 650_0 $$aMusic$$xPerformance$$xPsychological aspects.
001378250 655_0 $$aElectronic books
001378250 77608 $$aHøffding, Simon.$$tPhenomenology of musical absorption.$$dBasingstoke, Hampshire : Palgrave Macmillan, 2018$$z9783030006587$$w(OCoLC)1064305477
001378250 830_0 $$aNew directions in philosophy and cognitive science.
001378250 852__ $$bebk
001378250 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-00659-4$$zOnline Access$$91397441.1
001378250 909CO $$ooai:library.usi.edu:1378250$$pGLOBAL_SET
001378250 980__ $$aBIB
001378250 980__ $$aEBOOK
001378250 982__ $$aEbook
001378250 983__ $$aOnline
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