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Table of Contents
Cover page
Halftitle page
Series page
Title page
Copyright page
Contents
Contributors
Introduction
Notes
References
Part One The First Sophistic
1 Between Homer and Gorgias: Helen's Bewitching Power
Introduction
Helen in Homer: weaver, singer, charmer
Helen in Gorgias: a Sophistic heroine
Conclusion
Notes
References
2 Palamedes, The Sophistic Hero
Introduction
Archaic and Classical traditions on Palamedes
Gorgias' Apology of Palamedes
Alcidamas' Odysseus or On the Treachery of Palamedes
Conclusion
Notes
References
3 Ajax versus Odysseus
Introduction
The next-best of the Achaeans
Odysseus and Ajax in the Greek imagination
The speeches: Ajax
The speeches: Odysseus
Harnessing Homer
Odysseus' speech: Conclusion
Notes
References
4 Mythological Role-Playing among the Sophists
Introduction
Nestor
Palamedes
Adrastus
Prometheus
Coda: The Second Sophistic
Conclusion
Notes
References
Part Two The Second Sophistic
5 Homeric Exegesis and Athetesis in Lucian's Versions of the Judgement of Paris
Notes
References
6 Helen Was Never Abducted, Paris Abducted Her Because He Was Bored: Two Ways of Rewriting Homer in Dio Chrysostom (Orr. 11 and 20)
Idleness and kingship: why Homer is the one and only poet for leaders
Manipulation of Epos in the Second Sophistic: techniques and intents
The Judgement of Paris and the Abduction of Helen in the ancient texts
The Judgement of Paris and the Abduction of Helen in or. 11 (Trojan )
The Judgement of Paris and the Abduction of Helen in or. 20 On the Subject of Anachoretic Life
Conclusion
Notes
References
7 Homer's Lies and Dio's Truth? Subverting the Epic Past in Dio Chrysostom's Trojan Oration
Introduction
Dio's Trojan oration: a brief summary
Homer's lies and Dio's truth
Homer the bad storyteller
Interpretations in scholarship so far
Trust no one: framing Homer, framing Dio
Conclusion
Notes
References
8 A Rhetorical Trojan War: Philostratus' Heroicus, the Power of Language and the Construction of the Truth1
What kind of truth?
How to contest the Mysian tradition
'Helen was not in Troy': from historiography to sophistic
The fiction of the Scamander: from sophistic to historiography
A plausible Trojan War amongst other rhetorical possibilities
Notes
References
9 Reading Homer and the Epic Cycle through Ekphrasis: Philostratus' Epic Imagines1
Philostratus' textual references
Philostratus' audiences
Introducing Homeric authority: Imagines 1.1
Homer and the Epic Cycle: Imagines 2.7
The Epic Cycle and visual culture: Imagines 1.7
Homer, the Epic Cycle and the independence of painting
Conclusion
Notes
References
Index
Halftitle page
Series page
Title page
Copyright page
Contents
Contributors
Introduction
Notes
References
Part One The First Sophistic
1 Between Homer and Gorgias: Helen's Bewitching Power
Introduction
Helen in Homer: weaver, singer, charmer
Helen in Gorgias: a Sophistic heroine
Conclusion
Notes
References
2 Palamedes, The Sophistic Hero
Introduction
Archaic and Classical traditions on Palamedes
Gorgias' Apology of Palamedes
Alcidamas' Odysseus or On the Treachery of Palamedes
Conclusion
Notes
References
3 Ajax versus Odysseus
Introduction
The next-best of the Achaeans
Odysseus and Ajax in the Greek imagination
The speeches: Ajax
The speeches: Odysseus
Harnessing Homer
Odysseus' speech: Conclusion
Notes
References
4 Mythological Role-Playing among the Sophists
Introduction
Nestor
Palamedes
Adrastus
Prometheus
Coda: The Second Sophistic
Conclusion
Notes
References
Part Two The Second Sophistic
5 Homeric Exegesis and Athetesis in Lucian's Versions of the Judgement of Paris
Notes
References
6 Helen Was Never Abducted, Paris Abducted Her Because He Was Bored: Two Ways of Rewriting Homer in Dio Chrysostom (Orr. 11 and 20)
Idleness and kingship: why Homer is the one and only poet for leaders
Manipulation of Epos in the Second Sophistic: techniques and intents
The Judgement of Paris and the Abduction of Helen in the ancient texts
The Judgement of Paris and the Abduction of Helen in or. 11 (Trojan )
The Judgement of Paris and the Abduction of Helen in or. 20 On the Subject of Anachoretic Life
Conclusion
Notes
References
7 Homer's Lies and Dio's Truth? Subverting the Epic Past in Dio Chrysostom's Trojan Oration
Introduction
Dio's Trojan oration: a brief summary
Homer's lies and Dio's truth
Homer the bad storyteller
Interpretations in scholarship so far
Trust no one: framing Homer, framing Dio
Conclusion
Notes
References
8 A Rhetorical Trojan War: Philostratus' Heroicus, the Power of Language and the Construction of the Truth1
What kind of truth?
How to contest the Mysian tradition
'Helen was not in Troy': from historiography to sophistic
The fiction of the Scamander: from sophistic to historiography
A plausible Trojan War amongst other rhetorical possibilities
Notes
References
9 Reading Homer and the Epic Cycle through Ekphrasis: Philostratus' Epic Imagines1
Philostratus' textual references
Philostratus' audiences
Introducing Homeric authority: Imagines 1.1
Homer and the Epic Cycle: Imagines 2.7
The Epic Cycle and visual culture: Imagines 1.7
Homer, the Epic Cycle and the independence of painting
Conclusion
Notes
References
Index