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Introduction: Carnivalizing reconciliation
Justice through storytelling? Australian and Canadian reconciliation and the victim paradigm
Beyond the partisan divide: transcultural recalibrations of national myths in Joseph Boyden's Three day road and Gail Jones'e Sorry
"Double visions": intimate enemies and magic figures in Kim Scott's Benang and Tomson Highway's Kiss of the Fur Queen
From victimology to empowerment? Zacharias Kunuk's Atanarjuat and Baz Luhrmann's Australia
Conclusion: Fictions of reconciliation.

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