001380205 000__ 04626cam\\2200649\a\4500 001380205 001__ 1380205 001380205 003__ OCoLC 001380205 005__ 20211201134627.0 001380205 008__ 920508s1993\\\\inua\\\\\b\\\\001\0\eng\\ 001380205 010__ $$a92019337 001380205 0167_ $$a009784930$$2Uk 001380205 020__ $$a0253346142$$q(hard ;$$qalk. paper) 001380205 020__ $$a9780253346148$$q(hard ;$$qalk. paper) 001380205 0291_ $$aAU@$$b000009079539 001380205 0291_ $$aGBVCP$$b110352807 001380205 0291_ $$aNZ1$$b4013163 001380205 0291_ $$aYDXCP$$b143839 001380205 035__ $$a(OCoLC)25914390 001380205 040__ $$aDLC$$beng$$cDLC$$dEL$$$dBAKER$$dBTCTA$$dYDXCP$$dOCLCG$$dBDX$$dGBVCP$$dOCLCO$$dUKMGB$$dOCLCF$$dOCLCQ$$dVBC$$dOCL$$dOCLCQ$$dOCLCA$$dBGU$$dOCLCQ$$dOCLCO$$dUKUOY$$dOCLCQ$$dISE 001380205 043__ $$an-us--- 001380205 049__ $$aISEA 001380205 05000 $$aN6510$$b.P76 1993 001380205 1001_ $$aPromey, Sally M.,$$d1953- 001380205 24510 $$aSpiritual spectacles :$$bvision and image in mid-nineteenth-century Shakerism /$$cSally M. Promey. 001380205 260__ $$aBloomington :$$bIndiana University Press,$$c©1993. 001380205 300__ $$axxiv, 292 pages :$$billustrations (some color) ;$$c25 cm. 001380205 336__ $$atext$$btxt$$2rdacontent 001380205 337__ $$aunmediated$$bn$$2rdamedia 001380205 338__ $$avolume$$bnc$$2rdacarrier 001380205 4901_ $$aReligion in North America 001380205 504__ $$aIncludes bibliographical references (pages 278-283) and index. 001380205 5050_ $$aForeword / Catherine L. Albanese and Stephen J. Stein -- Introduction: A Sense of Crisis -- pt. I. Vision and Image. 1. From Vision to Image: Continuity in Shaker Experience. 2. Image and Iconoclasm: Discontinuity in Shaker Experience. 3. Production and Regulation of Images: The Instruments and the Ministry -- pt. II. Vision, Image, and Space. 4. Ethics and Aesthetics: In Heaven's Likeness. 5. Image as Threshold of Heaven: Passing through Pictures -- pt. III. Vision, Image, and Time. 6. [Re]collecting History: A Visible Genealogy of "Gospel Relations" 7. Restoring Relationship: Image as "Visible Presence" -- Epilogue: The Power of Ambiguity. 001380205 520__ $$aAmong the lesser known artifacts of Shakerism are many elaborate drawings and paintings produced under inspiration between 1839 and 1859. In a community which generally prohibited images, believers intended these exceptional religious pictures to enhance spiritual vision; the images thus functioned as "spiritual spectacles." In depictions of celestial places, objects, and people, viewers could see spiritual things as though possessing "corrected" spiritual sight. Spiritual Spectacles explores this neglected but illuminating aspect of Shaker visual culture. By 1837, an increasingly troublesome sense of distance from charismatic founder Ann Lee (1736-84) and her immediate converts permeated Shaker experience. In format, conception, and composition, Shaker images addressed this situation, restoring relationships by providing visual access to the Shaker "heavenly sphere" and its inhabitants. Artfully navigating the official proscription of images, visionary paintings and drawings became powerful religious resources. Sally M. Promey submits these remarkable products of Shaker revival to careful and sustained visual analysis and locates them firmly in the appropriate religious and cultural contexts. She traces the movement from vision to image within Shaker spirituality and demonstrates the essential connection between visionary experience and visual image. She explains how Shaker image-makers attempted to reconnect the earthly community with heaven and its inhabitants and to restore the zeal and personalities of earlier times. Furthermore, she suggests that Shaker reservations about pictures intensified and made explicit the usually veiled but nonetheless consistent anti-iconic impulses that punctuate American cultural history. Within communal borders and on their own terms, Shakers participated in an ongoing national debate about the relationship between ethics and aesthetics, morality and beauty, religion and art. A significant contribution to the study of Shaker images and the culture(s) which produced them, Spiritual Spectacles adds an important voice to the interdisciplinary dialogue between the history of art and the history of religion. 001380205 61020 $$aShakers$$zUnited States$$xHistory$$y19th century. 001380205 61027 $$aShakers.$$2fast$$0(OCoLC)fst00536297 001380205 648_7 $$a1800-1899$$2fast 001380205 650_0 $$aShaker art. 001380205 650_0 $$aChristian art and symbolism$$zUnited States. 001380205 650_7 $$aChristian art and symbolism.$$2fast$$0(OCoLC)fst00858904 001380205 650_7 $$aShaker art.$$2fast$$0(OCoLC)fst01115091 001380205 651_7 $$aUnited States.$$2fast$$0(OCoLC)fst01204155 001380205 653_0 $$aChristian art and symbolism$$aUnited States 001380205 653_0 $$aGeschichte$$a1830-1870 001380205 653_0 $$aShaker art 001380205 653_0 $$aShakers$$aUnited States$$aHistory$$a19th century 001380205 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628 001380205 830_0 $$aReligion in North America. 001380205 852__ $$bgen 001380205 909CO $$ooai:library.usi.edu:1380205$$pGLOBAL_SET 001380205 980__ $$aBIB 001380205 980__ $$aBOOK 001380205 994__ $$aC0$$bISE