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Table of Contents
Cover
Fair Copy
Title
Copyright
Dedication
CONTENTS
Acknowledgments
Introduction
Chapter 1. The American Hemans: Lydia Sigourney's Relational Poetics
Chapter 2. "The Songs Which All Can Sing": Imitation and Working Women's Poetry in the Lowell Offering
Chapter 3. "My Country": Communal Authorship and Citizenship in Sarah Louisa Forten's Liberator Poems
Chapter 4. "What Is Poetry?": Class, Collaboration, and the Making of Wales, and Other Poems
Chapter 5. "Some Queer Freak of Taste": Relational Poetics and Literary Proprietorship in the "Rock Me to Sleep" Controversy
Conclusion. Recovering the Unremarkable
Notes
Bibliography
Index
Fair Copy
Title
Copyright
Dedication
CONTENTS
Acknowledgments
Introduction
Chapter 1. The American Hemans: Lydia Sigourney's Relational Poetics
Chapter 2. "The Songs Which All Can Sing": Imitation and Working Women's Poetry in the Lowell Offering
Chapter 3. "My Country": Communal Authorship and Citizenship in Sarah Louisa Forten's Liberator Poems
Chapter 4. "What Is Poetry?": Class, Collaboration, and the Making of Wales, and Other Poems
Chapter 5. "Some Queer Freak of Taste": Relational Poetics and Literary Proprietorship in the "Rock Me to Sleep" Controversy
Conclusion. Recovering the Unremarkable
Notes
Bibliography
Index