Walker Evans : Cuba / with an essay by Andrei Codrescu ; introduction by Judith Keller.
2001
F1787 .E86 2001 (Mapit)
Available at General Collection
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Details
Title
Walker Evans : Cuba / with an essay by Andrei Codrescu ; introduction by Judith Keller.
Author
ISBN
0892366176
9780892366170
9781606060643 (pbk.)
1606060643 (pbk.)
9780892366170
9781606060643 (pbk.)
1606060643 (pbk.)
Publication Details
Los Angeles : J. Paul Getty Museum, ©2001.
Language
English
Description
95 pages : chiefly illustrations ; 30 cm
Call Number
F1787 .E86 2001
Alternate Call Number
972.9106
Dewey Decimal Classification
972.9106/3
Summary
"In 1933, Walker Evans traveled to Cuba to take photographs for The Crime of Cuba, a book by the American journalist Carleton Beals. Beals's explicit goal was to expose the corruption of Cuban dictator Gerardo Machado and the long, torturous relationship between the United States and Cuba."
"As novelist and poet Andrei Codrescu points out in the essay that accompanies this selection of photographs from the Getty Museum's collection, Evans's photographs are the work of an artist whose temperament was distinctly at odds with Beals's impassioned rhetoric. Evans's photographs of Cuba were made by a young, still maturing artist who - as Codrescu argues - was just beginning to combine his early, formalist aesthetic with the social concerns that would figure prominently in his later work."--Jacket.
"As novelist and poet Andrei Codrescu points out in the essay that accompanies this selection of photographs from the Getty Museum's collection, Evans's photographs are the work of an artist whose temperament was distinctly at odds with Beals's impassioned rhetoric. Evans's photographs of Cuba were made by a young, still maturing artist who - as Codrescu argues - was just beginning to combine his early, formalist aesthetic with the social concerns that would figure prominently in his later work."--Jacket.
Note
"As novelist and poet Andrei Codrescu points out in the essay that accompanies this selection of photographs from the Getty Museum's collection, Evans's photographs are the work of an artist whose temperament was distinctly at odds with Beals's impassioned rhetoric. Evans's photographs of Cuba were made by a young, still maturing artist who - as Codrescu argues - was just beginning to combine his early, formalist aesthetic with the social concerns that would figure prominently in his later work."--Jacket.
Bibliography, etc. Note
Includes bibliographical references.
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Also issued online.
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