001380726 000__ 05141cam\\2200817\a\4500
001380726 001__ 1380726
001380726 003__ OCoLC
001380726 005__ 20211215003159.0
001380726 008__ 951106s1996\\\\miu\\\\\\b\\\s001\0\eng\\
001380726 010__ $$a95026354
001380726 019__ $$a1000859600$$a1167111875
001380726 020__ $$a0472107070$$q(alk. paper)
001380726 020__ $$a9780472107070$$q(alk. paper)
001380726 035__ $$a(OCoLC)33820324
001380726 040__ $$aDLC$$beng$$cDLC$$dNLGGC$$dBTCTA$$dLVB$$dYDXCP$$dOCLCG$$dUPP$$dUAB$$dUKMGB$$dBDX$$dGBVCP$$dOCLCO$$dOCLCA$$dOCLCQ$$dOCLCO$$dOCLCQ$$dFC@$$dLTU$$dDHA$$dCSA$$dUEJ$$dOCLCO$$dOCLCQ$$dOCLCO$$dTFW$$dOCLCF$$dGILDS$$dCPS$$dBUB$$dOCLCQ$$dOCLCO$$dOCLCA$$dIL4J6$$dOCLCO$$dISE
001380726 043__ $$ae------$$aff-----$$aaw-----
001380726 049__ $$aISEA
001380726 05000 $$aPA6519.A73$$bS73 1996
001380726 08200 $$a871/.01$$220
001380726 1001_ $$aStapleton, M. L.$$q(Michael L.),$$d1958-
001380726 24510 $$aHarmful eloquence :$$bOvid's Amores from Antiquity to Shakespeare /$$cM.L. Stapleton.
001380726 260__ $$aAnn Arbor :$$bUniversity of Michigan Press,$$c1996.
001380726 300__ $$axi, 175 pages ;$$c24 cm
001380726 336__ $$atext$$btxt$$2rdacontent
001380726 337__ $$aunmediated$$bn$$2rdamedia
001380726 338__ $$avolume$$bnc$$2rdacarrier
001380726 504__ $$aIncludes bibliographical references (pages 159-170) and index.
001380726 5050_ $$a1. "Non sum desultor Amoris": The Amores and Personae -- 2. Ovidius sine titulo: The desultor Amoris before 1100 -- 3. "Dirai vos de con": Ovid and the Troubadours -- 4. "Io non lo 'nvidio": Dante's Vita nuova and the desultor Amoris -- 5. "La dolce vista": Petrarch's Exorcism of the desultor -- 6. "After that I loathe, I runne": Shakespeare's Sonnets 127-54 and Marlowe's All Ovids Elegies.
001380726 520__ $$aM.L. Stapleton's Harmful Eloquence: Ovid's Amores from Antiquity to Shakespeare traces the influence of the early elegiac poetry of Publius Ovidius Naso (43 B.C.E.-17 C.E.) on European literature from 500-1600 C.E. The Amores served as a classical model for love poetry in the Middle Ages and the Renaissance and were essential to the formation of fin' Amors, or "courtly love." Medieval Latin poets, the troubadours, Dante, Petrarch, and Shakespeare were all familiar with Ovid in his various forms, and all depended greatly upon his Amores in composing their cansos, canzoniere, and sonnets.
001380726 5208_ $$aHarmful Eloquence begins with a detailed analysis of the Amores themselves and their artistic unity. It moves on to explain the fragmentary transmission of the Amores fragments in the "Latin Anthology" and the cohesion of the fragments into the conventions of medieval Latin and troubadour "courtly love" poetry. Two subsequent chapters explain the use of the Amores, their narrator, and the conventions of "courtly love" in the poetry of both Dante and Petrarch. The final chapter concentrates on Shakespeare's reprocessing and parody of this material in his sonnets. Medievalists, classicists, and scholars of Renaissance studies will find Harmful Eloquence particularly engaging and useful. This work has received early praise for its Shakespearean content and is vital to scholars in this area. Stapleton's scholarship is both enjoyable and readable with a contemporary approach.
001380726 530__ $$aAlso issued online.
001380726 60000 $$aOvid,$$d43 B.C.-17 A.D. or 18 A.D.$$tAmores.
001380726 60010 $$aShakespeare, William,$$d1564-1616.$$tSonnets.
001380726 60000 $$aOvid,$$d43 B.C.-17 A.D. or 18 A.D.$$xInfluence.
001380726 60002 $$aOvid,$$d43 B.C.-17 A.D. or 18 A.D$$tAmores.
001380726 60004 $$aOvid,$$d43 B.C.-17 A.D. or 18 A.D..$$tAmores.
001380726 60006 $$aOvide,$$d43 av. J.-C.-17 ou 18.$$tAmores.$$0(CaOONL)ncf11296600
001380726 60016 $$aShakespeare, William,$$d1564-1616$$tSonnets.$$0(CaOONL)ncf10108160
001380726 60006 $$aOvide,$$d43 av. J.-C.-17 ou 18$$xInfluence.
001380726 60007 $$aOvid,$$d43 B.C.-17 A.D. or 18 A.D.$$2fast$$0(OCoLC)fst01839763
001380726 60007 $$aOvid,$$d43 B.C.-17 A.D. or 18 A.D.$$tAmores$$xInfluence.$$2nli
001380726 60007 $$aOvid,$$d43 B.C.-17 A.D. or 18 A.D.$$tAmores$$xAppreciation$$zEurope.$$2nli
001380726 60017 $$aShakespeare, William,$$d1564-1616.$$tSonnets$$xRoman influences.$$2nli
001380726 63007 $$aAmores (Ovid)$$2fast$$0(OCoLC)fst01358292
001380726 63007 $$aSonnets (Shakespeare, William)$$2fast$$0(OCoLC)fst01356082
001380726 650_0 $$aElegiac poetry, Latin$$xAppreciation$$zEurope.
001380726 650_0 $$aLove poetry, Latin$$xAppreciation$$zEurope.
001380726 650_0 $$aPoetry, Medieval$$xRoman influences.
001380726 650_0 $$aEuropean poetry$$xRoman influences.
001380726 650_6 $$aPoésie élégiaque latine$$0(CaQQLa)201-0195533$$xAppréciation$$0(CaQQLa)201-0374326$$zEurope.$$0(CaQQLa)201-0421387
001380726 650_6 $$aPoésie d'amour latine$$0(CaQQLa)201-0389724$$xAppréciation$$0(CaQQLa)201-0374326$$zEurope.$$0(CaQQLa)201-0421387
001380726 650_6 $$aPoésie médiévale$$0(CaQQLa)201-0047463$$xInfluence romaine.$$0(CaQQLa)201-0376475
001380726 650_6 $$aPoésie européenne$$0(CaQQLa)201-0058756$$xInfluence romaine.$$0(CaQQLa)201-0376475
001380726 650_7 $$aElegiac poetry, Latin$$xAppreciation.$$2fast$$0(OCoLC)fst00907837
001380726 650_7 $$aInfluence (Literary, artistic, etc.)$$2fast$$0(OCoLC)fst00972484
001380726 650_7 $$aLove poetry, Latin$$xAppreciation.$$2fast$$0(OCoLC)fst01751569
001380726 650_7 $$aPoetry, Medieval$$xRoman influences.$$2fast$$0(OCoLC)fst01067768
001380726 65017 $$aAmores (Ovidius)$$2gtt
001380726 65017 $$aReceptie.$$2gtt
001380726 650_7 $$aPoetry, Medieval$$xRoman influences.$$2nli
001380726 650_7 $$aEuropean poetry$$xRoman influences.$$2nli
001380726 651_7 $$aEurope.$$2fast$$0(OCoLC)fst01245064
001380726 77608 $$iOnline version:$$aStapleton, M.L. (Michael L.), 1958-$$tHarmful eloquence.$$dAnn Arbor : University of Michigan Press, 1996$$w(OCoLC)604693472
001380726 852__ $$bgen$$hPA6519.A73$$iS73 1996
001380726 909CO $$ooai:library.usi.edu:1380726$$pGLOBAL_SET
001380726 980__ $$aBOOK
001380726 980__ $$aBIB