001381177 000__ 07664cam\\2201513\a\4500
001381177 001__ 1381177
001381177 003__ OCoLC
001381177 005__ 20211216003114.0
001381177 008__ 950505s1995\\\\miu\\\\\\b\\\s001\0\eng\\
001381177 010__ $$a95019532
001381177 019__ $$a1166968533
001381177 020__ $$a0472105973$$q(acid-free paper)
001381177 020__ $$a9780472105977$$q(acid-free paper)
001381177 035__ $$a(OCoLC)32548262
001381177 040__ $$aDLC$$beng$$cDLC$$dBAKER$$dNLGGC$$dBTCTA$$dLVB$$dYDXCP$$dUAB$$dHEBIS$$dZWZ$$dUKMGB$$dU5D$$dBDX$$dEUM$$dGBVCP$$dUPX$$dOCLCF$$dDEBBG$$dOCLCQ$$dOCLCA$$dOCLCQ$$dL2U$$dIL4J6$$dOCLCO$$dCPO$$dISE
001381177 043__ $$ae-gr---
001381177 049__ $$aISEA
001381177 05000 $$aPA4167$$b.D64 1995
001381177 08200 $$a883/.01$$220
001381177 1001_ $$aDoherty, Lillian Eileen,$$d1952-
001381177 24510 $$aSiren songs :$$bgender, audiences, and narrators in the Odyssey /$$cLillian Eileen Doherty.
001381177 260__ $$aAnn Arbor :$$bUniversity of Michigan Press,$$c©1995.
001381177 300__ $$aviii, 220 pages ;$$c24 cm
001381177 336__ $$atext$$btxt$$2rdacontent
001381177 337__ $$aunmediated$$bn$$2rdamedia
001381177 338__ $$avolume$$bnc$$2rdacarrier
001381177 504__ $$aIncludes bibliographical references (pages 201-208) and index.
001381177 5050_ $$aMetis and the Contest for Meaning -- Introduction: On Reading the Odyssey -- 1. Actual Audiences: Contemporary Critics and the "Penelope Question" -- 2. Internal Audiences -- 3. Implied Audiences -- 4. Internal Narrators, Female and Male -- 5. The Narrative Hierarchy -- 6. The Active Audience -- Appendix: Types of Formal Redundancy Found in the Odyssey.
001381177 520__ $$aOdysseus is famous for resisting the appeal of the Sirens, but does the Odyssey itself exert a seductive influence on its female audiences? Doherty argues that it does, especially by contrasting its female characters in the roles of listener and storyteller. Odysseus courts and rewards supportive female characters like Arete and Penelope by treating them as privileged members of the audience for his own tale of his adventures. At the same time, dangerous female narrators - who, like Helen or the Sirens, threaten to disrupt or revise the hero's story - are discredited by the narrative framework in which their stories appear.
001381177 5208_ $$aIn a synthesis of audience-oriented and narratological approaches, Doherty examines the relationships among three kinds of audiences: internal, implied, and actual. Internal audiences are made up of characters in the work itself. The Odyssey, rich in storytelling episodes, uses such characters to build patterns of audience response, which in turn allow us to sketch an implied or model audience for the epic as a whole. But while this implied audience includes females as well as males, the epic addresses the two genders differently. Males are addressed as a group of peers, while females are addressed as individuals whose most important ties are to individual males. Like the hero, the epic woos the individual female reader by inviting her to identify with the faithful Penelope.
001381177 5208_ $$aActual audiences, composed of historical individuals, are not compelled to accept the response the epic models for them; but when the model corresponds to gender roles in a reader's own culture, there may be unconscious incentives to accept it. Siren Songs contributes to the growing body of feminist work in the fields of classics and literary criticism while making the fruits of research available to a nonspecialist audience. All Greek is translated and critical terminology is clearly defined. The book will be especially useful to those who study and teach the Odyssey at the college level and above, whether in English, comparative literature, classics, or general humanities courses.
001381177 60000 $$aHomer.$$tOdyssey.
001381177 60000 $$aOdysseus,$$cKing of Ithaca (Mythological character)$$xIn literature.
001381177 60014 $$aHomère / Odyssée.
001381177 60006 $$aHomère$$tOdyssée.$$0(CaOONL)ncf10399107
001381177 60007 $$aOdysseus,$$cKing of Ithaca (Mythological character)$$2fast$$0(OCoLC)fst01915914
001381177 60007 $$aHomerus$$dca. v8. Jh.$$tOdyssea$$2gnd$$0(DE-588)4193022-8
001381177 60017 $$aForchenbrunn, Herwerd von$$2gnd$$0(DE-588)102510121
001381177 60007 $$aHomer.$$tOdyssey.$$2nli
001381177 60007 $$aHomerus,$$dca. 800 v.Chr.$$0(NL-LeOCL)068585764$$2nta
001381177 60017 $$aHomère (08.?-08.? av. J.-C.).$$t'Odyssée.$$2ram
001381177 60007 $$aHomère,$$d(08.?-08.? av. J.-C.)$$2ram
001381177 60017 $$aHomerus.$$2swd
001381177 63007 $$aOdyssey (Homer)$$2fast$$0(OCoLC)fst01356149
001381177 63007 $$aOdyssea$$2gnd$$0(DE-588)4700473-3
001381177 63007 $$aOdyssea.$$2swd
001381177 648_7 $$aTo 1500$$2fast
001381177 650_0 $$aEpic poetry, Greek$$xHistory and criticism.
001381177 650_0 $$aNarration (Rhetoric)$$xHistory$$yTo 1500.
001381177 650_0 $$aMan-woman relationships in literature.
001381177 650_0 $$aFeminism and literature$$zGreece.
001381177 650_0 $$aGender identity in literature.
001381177 650_0 $$aWomen and literature$$zGreece.
001381177 650_0 $$aAuthors and readers$$zGreece.
001381177 650_0 $$aReader-response criticism.
001381177 650_0 $$aSex role in literature.
001381177 650_0 $$aRhetoric, Ancient.
001381177 650_4 $$aEsthétique de la réception.
001381177 650_4 $$aFemmes et littérature$$xGrèce.
001381177 650_4 $$aFéminisme et littérature$$xGrèce.
001381177 650_4 $$aIdentité sexuelle dans la littérature.
001381177 650_4 $$aNarration.
001381177 650_4 $$aPoésie épique grecque$$xHistoire et critique.
001381177 650_4 $$aRelations entre hommes et femmes dans la littérature.
001381177 650_4 $$aRhétorique ancienne.
001381177 650_4 $$aRôle selon le sexe dans la littérature.
001381177 650_4 $$aUlysse (Mythologie grecque) dans la littérature.
001381177 650_4 $$aÉcrivains et lecteurs$$xGrèce.
001381177 650_6 $$aPoésie épique grecque$$xHistoire et critique.
001381177 650_6 $$aUlysse (Mythologie grecque) dans la littérature.
001381177 650_6 $$aRelations entre hommes et femmes dans la littérature.
001381177 650_6 $$aFéminisme et littérature$$zGrèce.
001381177 650_6 $$aIdentité sexuelle dans la littérature.
001381177 650_6 $$aFemmes et littérature$$zGrèce.
001381177 650_6 $$aÉcrivains et lecteurs$$zGrèce.
001381177 650_6 $$aEsthétique de la réception.
001381177 650_6 $$aRôle selon le sexe dans la littérature.
001381177 650_6 $$aNarration.
001381177 650_6 $$aRhétorique ancienne.
001381177 650_7 $$a18.43 ancient Greek literature.$$0(NL-LeOCL)077612191$$2bcl
001381177 650_7 $$aAuthors and readers.$$2fast$$0(OCoLC)fst00821738
001381177 650_7 $$aEpic poetry, Greek.$$2fast$$0(OCoLC)fst00913902
001381177 650_7 $$aFeminism and literature.$$2fast$$0(OCoLC)fst00922735
001381177 650_7 $$aGender identity in literature.$$2fast$$0(OCoLC)fst00939607
001381177 650_7 $$aLiterature.$$2fast$$0(OCoLC)fst00999953
001381177 650_7 $$aMan-woman relationships in literature.$$2fast$$0(OCoLC)fst01007097
001381177 650_7 $$aNarration (Rhetoric)$$2fast$$0(OCoLC)fst01032927
001381177 650_7 $$aReader-response criticism.$$2fast$$0(OCoLC)fst01090552
001381177 650_7 $$aRhetoric, Ancient.$$2fast$$0(OCoLC)fst01096982
001381177 650_7 $$aSex role in literature.$$2fast$$0(OCoLC)fst01114649
001381177 650_7 $$aWomen and literature.$$2fast$$0(OCoLC)fst01177093
001381177 650_7 $$aErzähltechnik$$2gnd$$0(DE-588)4124854-5
001381177 650_7 $$aFrau$$2gnd$$0(DE-588)4018202-2
001381177 650_7 $$aPublikum$$2gnd$$0(DE-588)4047764-2
001381177 650_7 $$aFrau$$gMotiv$$2gnd$$0(DE-588)4113617-2
001381177 650_7 $$aErzähler$$gMotiv$$2gnd$$0(DE-588)4314533-4
001381177 65017 $$aOdyssea (Homerus)$$2gtt
001381177 65017 $$aPubliek.$$2gtt
001381177 65017 $$aVrouwen.$$2gtt
001381177 65017 $$aVertelkunst.$$2gtt
001381177 650_7 $$aOdysseus (Greek mythology) in literature.$$2nli
001381177 650_7 $$aMan-woman relationships in literature.$$2nli
001381177 650_7 $$aGender identity in literature.$$2nli
001381177 650_7 $$aReader-response criticism$$zGreece.$$2nli
001381177 650_7 $$aÉpopées grecques$$xHistoire et critique.$$2ram
001381177 650_7 $$aIdentité sexuelle$$xDans la littérature.$$2ram
001381177 650_7 $$aRelations hommes-femmes$$xDans la littérature.$$2ram
001381177 650_7 $$aFéminisme et littérature$$zGrèce.$$2ram
001381177 65007 $$aPublikum.$$2swd
001381177 65007 $$aFrau <Motiv>$$2swd
001381177 65007 $$aErzähler <Motiv>$$2swd
001381177 651_7 $$aGreece.$$2fast$$0(OCoLC)fst01208380
001381177 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001381177 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001381177 77608 $$iOnline version:$$aDoherty, Lillian Eileen, 1952-$$tSiren songs.$$dAnn Arbor : University of Michigan Press, ©1995$$w(OCoLC)604675801
001381177 77608 $$iOnline version:$$aDoherty, Lillian Eileen, 1952-$$tSiren songs.$$dAnn Arbor : University of Michigan Press, ©1995$$w(OCoLC)607932569
001381177 852__ $$bgen$$hPA4167$$i.D64 1995
001381177 909CO $$ooai:library.usi.edu:1381177$$pGLOBAL_SET
001381177 980__ $$aBOOK
001381177 980__ $$aBIB