001381290 000__ 05471cam\\2200841Ii\4500
001381290 001__ 1381290
001381290 003__ OCoLC
001381290 005__ 20211221003117.0
001381290 008__ 120112s2012\\\\enka\\\\\b\\\\001\0\eng\d
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001381290 020__ $$a9781856697941
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001381290 037__ $$bChronicle Books Llc, C/O Hachette Book Group USA 3 Center Plaza, Boston, MA, USA, 02108$$nSAN 200-2205
001381290 040__ $$aUKMGB$$beng$$cUKMGB$$dBDX$$dYDXCP$$dCDX$$dSINLB$$dNBU$$dNPL$$dWKM$$dTXI$$dNDD$$dBTCTA$$dBWX$$dVP@$$dIEP$$dOMB$$dCTB$$dIAD$$dTTU$$dGRANC$$dIBI$$dUKDBK$$dWEA$$dOCLCF$$dP4I$$dGAVCL$$dOCLCQ$$dCHVBK$$dOCLCO$$dNYWWB$$dAUMCS$$dOCL$$dSJY$$dAFU$$dKOL$$dOCLCQ$$dCNGUL$$dOCLCO$$dBQM$$dSFR$$dUKWOH$$dUKBRU$$dCHILD$$dTCJ$$dOCL$$dI8M$$dOCLCQ$$dCSA$$dOCLCQ$$dCCH$$dFSP$$dOCLCO$$dOCLCQ$$dUOK$$dUKOBU$$dCEF$$dYDX$$dXFF$$dMUO$$dHCO$$dCPS$$dIOW$$dOCLCQ$$dYCP$$dTWJ$$dNJR$$dMHH$$dJDP$$dVAN$$dNZTOI$$dOL$$$dCNCGM$$dS4S$$dKOTUI$$dL3R$$dNQO$$dVLW$$dZ5U$$dCUI$$dUKMGB$$dEUQ$$dDXU$$dWYU$$dXC$$$dNZLEP$$dUKLCC$$dYOU$$dZLF$$dLCOAD$$dJTV$$dNZNAP$$dD6H$$dLGG$$dOCLCQ$$dCNMTR$$dIEUOL$$dDCT$$dOKX$$dISE
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001381290 050_4 $$aNK1530$$b.H4456 2012
001381290 055_3 $$aNC998$$b.H455 2012
001381290 072_7 $$aART$$2eflch
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001381290 08204 $$a741.609$$223
001381290 084__ $$aJ534$$2clc
001381290 1001_ $$aHeller, Steven.
001381290 24510 $$a100 ideas that changed graphic design /$$cSteven Heller and Véronique Vienne.
001381290 2463_ $$aOne hundred ideas that changed graphic design
001381290 2463_ $$aHundred ideas that changed graphic design
001381290 264_1 $$aLondon :$$bLaurence King Publishing Ltd.,$$c2012.
001381290 300__ $$a216 pages :$$billustrations (chiefly color) ;$$c27 cm.
001381290 336__ $$atext$$btxt$$2rdacontent
001381290 337__ $$aunmediated$$bn$$2rdamedia
001381290 338__ $$avolume$$bnc$$2rdacarrier
001381290 4901_ $$a100 Ideas
001381290 504__ $$aIncludes bibliographical references (pages 210-211) and index.
001381290 5050_ $$aThe book -- Body type -- Rub-on designs -- Rays -- Pastiche -- Pointing fingers -- Vanitas -- Clenched fists -- Monumental images -- Female archetypes -- Color blocks -- Ornamentation -- Decorative logotypes -- Naive mascots -- Entrepreneurship -- Metaphoric lettering -- Swashes on caps -- Texts as images -- Visual puns -- The square format -- Primitive figuration -- Propaganda -- The object poster -- Paper cutouts -- Manifestos -- Graphic design magazines -- Botanical geometry -- Calligrams -- Loud typography -- Asymmetric typography -- Red with black -- Supergraphics -- Supreme geometry -- Funny faces -- Expression of speed -- Corporate identity -- Dust jackets -- Found typography -- Ransom notes -- Design handbooks -- Avant-garde zines -- Collages -- Riddles and rebuses -- Photomontage -- Pictograms -- Floating heads -- Abstraction -- Triangulation -- Extreme close-ups -- The provocative gesture -- Motion graphics -- Night spectaculars -- Shadow play -- Good design -- Forced obsolescence -- Vibrating color -- Strips and panels -- Frame by frame -- Perfect rectangles -- Abstract graphs -- Dynamic diagonals -- Stencil type -- Comic lettering -- Parody -- Sustainable packaging -- Public service campaigns -- Branding campaigns -- Layering and overprinting -- Design thinking -- The grid -- Brand narratives -- White space -- Less is more -- Monoalphabets -- Film title sequences -- Big book look -- Nostalgia -- Illegibility -- Scan lines -- Teen magazines -- Culture jamming -- High contrast -- Psychedelia -- Split fountain -- Underground comics -- Record album covers -- Street slogans -- Sexual taboo busting -- Self-promotional publishing -- Tags -- Universal pricing code -- Vernacular -- French theory -- Do it yourself -- The fine print -- Magazine coverlines -- Guerrilla advertising -- Pixelation -- Ambigrams -- Designers' websites.
001381290 520__ $$aNew in the 100 Ideas that Changed ... series, this book demonstrates how ideas influenced and defined graphic design, and how those ideas have manifested themselves in objects of design. The 100 entries, arranged broadly in chronological order, range from technical (overprinting, rub-on designs, split fountain); to stylistic (swashes on caps, loud typography, and white space); to objects (dust jackets, design handbooks); and, methods (paper cut-outs, pixelation). Written by one of the world's leading authorities on graphic design and lavishly illustrated, the book is both a great source of inspiration and a provocative record of some of the best examples of graphic design from the last hundred years.
001381290 650_0 $$aGraphic arts$$xTechnological innovations.
001381290 650_0 $$aDesign$$xThemes, motives.
001381290 650_1 $$aGraphic arts.
001381290 650_1 $$aTechnological innovations.
001381290 650_7 $$aGraphic arts$$xHistory.$$2cct
001381290 650_7 $$aGraphic arts$$xTechnological innovations.$$2cct
001381290 650_7 $$aArt and Design.$$2eflch
001381290 650_7 $$aDesign$$xThemes, motives.$$2fast$$0(OCoLC)fst00891303
001381290 650_7 $$aGraphic arts$$xTechnological innovations.$$2fast$$0(OCoLC)fst00946633
001381290 650_7 $$aGebrauchsgrafik$$2gnd$$0(DE-588)4019558-2
001381290 650_7 $$aGraphic arts.$$2sears
001381290 650_7 $$aTechnological innovations.$$2sears
001381290 650_7 $$aArt and Design.$$2ukslc
001381290 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001381290 7001_ $$aVienne, Véronique.$$4aut
001381290 830_0 $$a100 Ideas.
001381290 852__ $$bgen
001381290 909CO $$ooai:library.usi.edu:1381290$$pGLOBAL_SET
001381290 980__ $$aBIB
001381290 980__ $$aBOOK