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001381320 001__ 1381320
001381320 003__ OCoLC
001381320 005__ 20211223003109.0
001381320 008__ 870327s1987\\\\ctua\\\\\b\\\\001\0\eng\\
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001381320 05000 $$aN6260$$b.G69 1987
001381320 08200 $$a709/.17/671$$219
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001381320 1001_ $$aGrabar, Oleg,$$eauthor.
001381320 24514 $$aThe formation of Islamic art /$$cOleg Grabar.
001381320 250__ $$aRevised and enlarged edition.
001381320 264_1 $$aNew Haven :$$bYale University Press,$$c©1987.
001381320 300__ $$axix, 232 pages :$$billustrations ;$$c26 cm
001381320 336__ $$atext$$btxt$$2rdacontent
001381320 337__ $$aunmediated$$bn$$2rdamedia
001381320 338__ $$avolume$$bnc$$2rdacarrier
001381320 504__ $$aIncludes bibliographical references (pages 217-226) and index.
001381320 50500 $$tThe problem --$$tThe land of early Islam --$$tThe symbolic appropriation of the land --$$tIslamic attitudes towards the arts --$$tIslamic religious art : the mosque --$$tSecular art : palace and city --$$tThe art of the court --$$tThe art of the city --$$tEarly Islamic decoration : the idea of an arabesque --$$tThe formation of Islamic art --$$tPostscriptum : twelve years later --$$tHistory and chronology --$$tTheory and interpretation --$$tPast and present --$$gAppendix :$$tchronology of the early Muslim world.
001381320 520__ $$aThis classic work on the nature of early Islamic art has now been brought up to date in order to take into consideration material that has recently come to light. In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic art, tightens its chronology, and discusses its implications for the contemporary art of the Muslim world. Reviews of the first edition: "Grabar examines the possible ramifications of sociological, economic, historical, psychological, ecological, and archaeological influences upon the art of Islam. . . [He] explains that Islamic art is woven from the threads of an Eastern, Oriental tradition and the hardy, surviving strands of Classical style, and [he] illustrates this web by means of a variety of convincing and well-chosen examples."--Art Bulletin "A book of absorbing interest and immense erudition. . . All Islamic archaeologists and scholars will thank Professor Grabar for a profound and original study of an immense and complex field, which may provoke controversy but must impress by its mastery and charm by its modesty."-Times Literary Supplement "Oleg Grabar, in this book of exceptional subtlety and taste, surveys and extends his own important contributions to the study of early Islamic art history and works out an original and imaginative approach to the elusive and complex problems of understanding Islamic art."--American Historical Review.
001381320 650_0 $$aIslamic art$$xHistory.
001381320 650_0 $$aIslamic civilization.
001381320 650_7 $$aIslamic civilization.$$2fast$$0(OCoLC)fst01730294
001381320 650_7 $$aIslamic art.$$2fast$$0(OCoLC)fst01730275
001381320 65017 $$aIslamitische kunst.$$2gtt
001381320 650_7 $$aIslamic art$$xHistory.$$2nli
001381320 650_7 $$aArt islamique$$xHistoire.$$2ram
001381320 650_7 $$aArt$$xIslam.$$2ram
001381320 650_7 $$aIslam$$xArt.$$2ram
001381320 653__ $$aIslamic visual arts, to ca 1000
001381320 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001381320 77608 $$iOnline version:$$aGrabar, Oleg.$$tFormation of Islamic art.$$bRevised and enlarged edition$$w(OCoLC)1085905942
001381320 852__ $$bgen
001381320 909CO $$ooai:library.usi.edu:1381320$$pGLOBAL_SET
001381320 980__ $$aBIB
001381320 980__ $$aBOOK