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Table of Contents
Acknowledgements
Introduction: Writing British Muslim Masculinities
Part I: Emergence of the British Muslim Male
1. Muslim Masculinities on the Move: Salman Rushdie's The Satanic Verses (1988)
2. Sacred and Secular Masculinities: Hanif Kureishi's The Black Album (1995) and Zadie Smith's White Teeth (2000)
3. Between Men, Desiring Men: Hanif Kureishi's My Beautiful Laundrette (dir. Stephen Frears, 1985) And Sally El Hosaini's My Brother the Devil (dir. Sally El Hosaini, 2012)
Part II: Locating the British Muslim Male
4. British Muslim Masculinities in the Metropolis: Monica Ali's Brick Lane (2004) and Suhayl Saadi's Psychoraag (2004)
5. Mapping British Muslim Masculinities: Nadeem Aslam's Maps for Lost Lovers (2004) and
6. Zia Haider Rahman's In the Light of What We Know (2014) Fathers, Sons, Brothers: Kamila Shamsie's Home Fire (2017) and Guy Gunaratne's In Our Mad and Furious City (2018)
Conclusion: Untranslated Men?
Bibliography.
Introduction: Writing British Muslim Masculinities
Part I: Emergence of the British Muslim Male
1. Muslim Masculinities on the Move: Salman Rushdie's The Satanic Verses (1988)
2. Sacred and Secular Masculinities: Hanif Kureishi's The Black Album (1995) and Zadie Smith's White Teeth (2000)
3. Between Men, Desiring Men: Hanif Kureishi's My Beautiful Laundrette (dir. Stephen Frears, 1985) And Sally El Hosaini's My Brother the Devil (dir. Sally El Hosaini, 2012)
Part II: Locating the British Muslim Male
4. British Muslim Masculinities in the Metropolis: Monica Ali's Brick Lane (2004) and Suhayl Saadi's Psychoraag (2004)
5. Mapping British Muslim Masculinities: Nadeem Aslam's Maps for Lost Lovers (2004) and
6. Zia Haider Rahman's In the Light of What We Know (2014) Fathers, Sons, Brothers: Kamila Shamsie's Home Fire (2017) and Guy Gunaratne's In Our Mad and Furious City (2018)
Conclusion: Untranslated Men?
Bibliography.