Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards
The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts
By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings
Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan
Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan
Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson
Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni
"A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell
"New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee
Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich
Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines
Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins
Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker
Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills.