001383703 000__ 01781nam\a2200457\i\4500 001383703 001__ 1383703 001383703 003__ MiAaPQ 001383703 005__ 20220105003430.0 001383703 006__ m\\\\\o\\d\\\\\\\\ 001383703 007__ cr\cn\nnnunnun 001383703 008__ 180113t20182018nyu\\\\\ob\\\\001\0\eng\d 001383703 020__ $$z9781501332050 001383703 020__ $$a9781501332081 (e-book) 001383703 035__ $$a(MiAaPQ)EBC5181684 001383703 035__ $$a(Au-PeEL)EBL5181684 001383703 035__ $$a(CaPaEBR)ebr11480417 001383703 035__ $$a(OCoLC)1015871838 001383703 040__ $$aMiAaPQ$$beng$$erda$$epn$$cMiAaPQ$$dMiAaPQ 001383703 050_4 $$aML3790$$b.C758 2018 001383703 0820_ $$a781.49$$223 001383703 24500 $$aCritical approaches to the production of music and sound /$$cedited by Samantha Bennett and Eliot Bates. 001383703 264_1 $$aNew York, New York :$$bBloomsbury Academic,$$c2018. 001383703 264_4 $$c©2018 001383703 300__ $$a1 online resource (289 pages). 001383703 336__ $$atext$$2rdacontent 001383703 337__ $$acomputer$$2rdamedia 001383703 338__ $$aonline resource$$2rdacarrier 001383703 504__ $$aIncludes bibliographical references and index. 001383703 506__ $$aAccess limited to authorized users. 001383703 588__ $$aDescription based on print version record. 001383703 650_0 $$aSound recordings$$xProduction and direction. 001383703 650_0 $$aPopular music$$xProduction and direction. 001383703 655_0 $$aElectronic books 001383703 7001_ $$aBennett, Samantha$$c(Music professor),$$eeditor. 001383703 7001_ $$aBates, Eliot,$$eeditor. 001383703 77608 $$iPrint version:$$tCritical approaches to the production of music and sound.$$dNew York, New York : Bloomsbury Academic, c2018 $$z9781501332050 $$w2017024433 001383703 852__ $$bebk 001383703 85640 $$3ProQuest Ebook Central Academic Complete $$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=5181684$$zOnline Access 001383703 909CO $$ooai:library.usi.edu:1383703$$pGLOBAL_SET 001383703 980__ $$aBIB 001383703 980__ $$aEBOOK 001383703 982__ $$aEbook 001383703 983__ $$aOnline