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001385088 020__ $$z9781907774256
001385088 020__ $$a9781912385133 (e-book)
001385088 035__ $$a(MiAaPQ)EBC6194580
001385088 035__ $$a(Au-PeEL)EBL6194580
001385088 035__ $$a(OCoLC)1154520766
001385088 040__ $$aMiAaPQ$$beng$$erda$$epn$$cMiAaPQ$$dMiAaPQ
001385088 050_4 $$aBF789.C7$$b.R463 2018
001385088 0820_ $$a301
001385088 24500 $$aRematerializing colour :$$bfrom concept to substance /$$cedited by Diana Young.
001385088 264_1 $$aCanon Pyon :$$bSean Kingston Publishing,$$c[2018]
001385088 264_4 $$c©2018
001385088 300__ $$a1 online resource (263 pages) :$$billustrations, maps.
001385088 336__ $$atext$$btxt$$2rdacontent
001385088 337__ $$acomputer$$bc$$2rdamedia
001385088 338__ $$aonline resource$$bcr$$2rdacarrier
001385088 504__ $$aIncludes bibliographical references and index.
001385088 506__ $$aAccess limited to authorized users.
001385088 520__ $$aColour is largely assumed to be already in the world, a natural universal that everyone, everywhere understands. Yet cognitive scientists routinely tell us that colour is an illusion, and a private one for each of us; neither social nor material, it is held to be a product of individual brains and eyes rather than an aspect of things. This collection seeks to challenge these assumptions and examine their farreaching consequences, arguing that colour is about practical involvement in the world, not a finalized set of theories, and getting to know colour is relative to the situation one is in both ecologically and environmentally. Specialists from the fields of anthropology, psychology, cinematography, art history and linguistics explore the depths of colour in relation to light and movement, memory and landscape, language and narrative, in case studies with an emphasis on Australian First Peoples, but ranging as far afield as Russia and First Nations in British Columbia. What becomes apparent, is not only the complex but important role of colours in socializing the world; but also that the concept of colour only exists in some times and cultures. It should not be forgotten that the Munsell Chart, with its construction of colours as mathematical coordinates of hues, value and chroma, is not an abstraction of universals, as often claimed, but is itself a cultural artefact --$$cSource other than Library of Congress.
001385088 588__ $$aDescription based on print version record.
001385088 650_0 $$aColor.
001385088 650_0 $$aColor$$xPsychological aspects.
001385088 650_0 $$aColor$$xSocial aspects.
001385088 650_0 $$aColor in art.
001385088 650_0 $$aAesthetics.
001385088 655_0 $$aElectronic books
001385088 7001_ $$aYoung, Diana$$q(Diana Jane Barbara),$$eeditor.
001385088 77608 $$iPrint version:$$tRematerializing colour : from concept to substance.$$dCanon Pyon : Sean Kingston Publishing, c2018 $$z9781907774256 $$w(DLC) 2018404798
001385088 852__ $$bebk
001385088 85640 $$3ProQuest Ebook Central Academic Complete $$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=6194580$$zOnline Access
001385088 909CO $$ooai:library.usi.edu:1385088$$pGLOBAL_SET
001385088 980__ $$aBIB
001385088 980__ $$aEBOOK
001385088 982__ $$aEbook
001385088 983__ $$aOnline