001385714 000__ 02850cam\a2200457Mi\4500 001385714 001__ 1385714 001385714 003__ MaCbMITP 001385714 005__ 20240325105007.0 001385714 006__ m\\\\\o\\d\\\\\\\\ 001385714 007__ cr\un\nnnunnun 001385714 008__ 160810e20120113riu\\\\\o\\\\\000\0\eng\d 001385714 020__ $$a9780262290784 001385714 020__ $$a0262290782$$q(E-Book) 001385714 0243_ $$a9780262290784 001385714 035__ $$a(OCoLC)961856130 001385714 035__ $$a(OCoLC-P)961856130 001385714 040__ $$aOCoLC-P$$beng$$cOCoLC-P 001385714 050_4 $$aML3800 001385714 08204 $$a781/.1$$222 001385714 1001_ $$aNussbaum, Charles O.,$$eauthor. 001385714 24514 $$aThe Musical Representation :$$bMeaning, Ontology, and Emotion. 001385714 260__ $$aCambridge :$$bMIT Press$$cJan. 2012. 001385714 300__ $$a1 online resource (400 pages) 001385714 336__ $$atext$$btxt$$2rdacontent 001385714 337__ $$acomputer$$bc$$2rdamedia 001385714 338__ $$aonline resource$$bcr$$2rdacarrier 001385714 506__ $$aAccess limited to authorized users. 001385714 5208_ $$aAnnotation$$bHow human musical experience emerges from the audition of organized tones is a riddle of long standing. In The Musical Representation, Charles Nussbaum offers a philosophical naturalist's solution. Nussbaum founds his naturalistic theory of musical representation on the collusion between the physics of sound and the organization of the human mind-brain. He argues that important varieties of experience afforded by Western tonal art music since 1650 arise through the feeling of tone, the sense of movement in musical space, cognition, emotional arousal, and the engagement, by way of specific emotional responses, of deeply rooted human ideals. Construing the art music of the modern West as representational, as a symbolic system that carries extramusical content, Nussbaum attempts to make normative principles of musical representation explicit and bring them into reflective equilibrium with the intuitions of competent listeners. The human mind-brain, writes Nussbaum, is a living record of its evolutionary history; relatively recent cognitive acquisitions derive from older representational functions of which we are hardly aware. Consideration of musical art can help bring to light the more ancient cognitive functions that underlie modern human cognition. 001385714 588__ $$aOCLC-licensed vendor bibliographic record. 001385714 650_0 $$aMusic$$xPhilosophy and aesthetics. 001385714 650_0 $$aRepresentation (Philosophy) 001385714 650_0 $$aEmotions in music. 001385714 653__ $$aPHILOSOPHY/General 001385714 653__ $$aARTS/Music & Sound Studies 001385714 655_0 $$aElectronic books 001385714 852__ $$bebk 001385714 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/7470.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct 001385714 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 001385714 909CO $$ooai:library.usi.edu:1385714$$pGLOBAL_SET 001385714 980__ $$aBIB 001385714 980__ $$aEBOOK 001385714 982__ $$aEbook 001385714 983__ $$aOnline