001385719 000__ 02826cam\a2200505Ka\4500 001385719 001__ 1385719 001385719 003__ MaCbMITP 001385719 005__ 20240325105007.0 001385719 006__ m\\\\\o\\d\\\\\\\\ 001385719 007__ cr\cn\nnnunnun 001385719 008__ 130212s2008\\\\mauag\\\ob\\\\001\0\eng\d 001385719 020__ $$a9780262256551$$q(electronic bk.) 001385719 020__ $$a026225655X$$q(electronic bk.) 001385719 020__ $$z9780262122931 001385719 020__ $$z0262122936 001385719 035__ $$a(OCoLC)827324770$$z(OCoLC)605078649$$z(OCoLC)613915760$$z(OCoLC)671767421$$z(OCoLC)990681341 001385719 035__ $$a(OCoLC-P)827324770 001385719 040__ $$aOCoLC-P$$beng$$epn$$cOCoLC-P 001385719 050_4 $$aML3800$$b.L57 2008eb 001385719 072_7 $$aMUS$$x001000$$2bisacsh 001385719 08204 $$a781/.11$$222 001385719 1001_ $$aLeman, Marc,$$d1958- 001385719 24510 $$aEmbodied music cognition and mediation technology /$$cMarc Leman. 001385719 260__ $$aCambridge, Mass. :$$bMIT Press,$$c©2008. 001385719 264_4 $$c©2008 001385719 300__ $$a1 online resource (xv, 297 pages) :$$billustrations, music 001385719 336__ $$atext$$btxt$$2rdacontent 001385719 337__ $$acomputer$$bc$$2rdamedia 001385719 338__ $$aonline resource$$bcr$$2rdacarrier 001385719 506__ $$aAccess limited to authorized users. 001385719 5201_ $$a"Digital media handle music as encoded physical energy, but humans consider music in terms of beliefs, intentions, interpretations, experiences, evaluations, and significations. In this book, drawing on work in computer science, psychology, brain science, and musicology, Marc Leman proposes an embodied cognition approach to music research that will help bridge this gap. Assuming that the body plays a central role in all musical activities, and basing his approach on a hypothesis about the relationship between musical experience (mind) and sound energy (matter), Leman argues that the human body is a biologically designed mediator that transfers physical energy to a mental level - engaging experiences, values, and intentions and, reversing the process, transfers mental representation into material form. He suggests that this idea of the body as mediator offers a promising framework for thinking about music mediation technology."--Jacket. 001385719 588__ $$aOCLC-licensed vendor bibliographic record. 001385719 650_0 $$aMusic$$xPsychological aspects. 001385719 650_0 $$aMusic$$xPhysiological aspects. 001385719 650_0 $$aMusical perception. 001385719 653__ $$aCOMPUTER SCIENCE/Computer Music 001385719 653__ $$aCOGNITIVE SCIENCES/Psychology/Cognitive Psychology 001385719 653__ $$aARTS/Music & Sound Studies 001385719 655_0 $$aElectronic books 001385719 852__ $$bebk 001385719 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/7476.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct 001385719 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 001385719 909CO $$ooai:library.usi.edu:1385719$$pGLOBAL_SET 001385719 980__ $$aBIB 001385719 980__ $$aEBOOK 001385719 982__ $$aEbook 001385719 983__ $$aOnline