The age of electroacoustics : transforming science and sound / Roland Wittje.
2016
TK5981 .W574 2016eb
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Title
The age of electroacoustics : transforming science and sound / Roland Wittje.
Author
ISBN
9780262336529
0262336529
9780262035262 (hardcover ; alk. paper)
026203526X (hardcover ; alk. paper)
0262336529
9780262035262 (hardcover ; alk. paper)
026203526X (hardcover ; alk. paper)
Published
Cambridge, Massachusetts : MIT Press, [2016]
Language
English
Description
1 online resource (xii, 297 pages).
Item Number
40026606292
97802623365
97802623365
Call Number
TK5981 .W574 2016eb
Dewey Decimal Classification
621.382/8
Summary
"At the end of the nineteenth century, acoustics was a science of musical sounds; the musically trained ear was the ultimate reference. Just a few decades into the twentieth century, acoustics had undergone a transformation from a scientific field based on the understanding of classical music to one guided by electrical engineering, with industrial and military applications. In this book, Roland Wittje traces this transition, from the late nineteenth-century work of Hermann Helmholtz to the militarized research of World War I and media technology in the 1930s. Wittje shows that physics in the early twentieth century was not only about relativity and atomic structure but encompassed a range of experimental, applied, and industrial research fields. The emergence of technical acoustics and electroacoustics illustrates a scientific field at the intersection of science and technology. Wittje starts with Helmholtz's and Rayleigh's work and its intersection with telegraphy and ear y wireless, and continues with the industrialization of acoustics during World War I, when sound measurement was automated and electrical engineering and radio took over the concept of noise. Researchers no longer appealed to the musically trained ear to understand sound but to the thinking and practices of electrical engineering. Finally, Wittje covers the demilitarization of acoustics during the Weimar Republic and its remilitarization at the beginning of the Third Reich. He shows how technical acoustics fit well with the Nazi dismissal of pure science, representing everything that "German Physics" under National Socialism should be: experimental, applied, and relevant to the military."
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