001385862 000__ 03734cam\a2200601Ii\4500 001385862 001__ 1385862 001385862 003__ MaCbMITP 001385862 005__ 20240325105013.0 001385862 006__ m\\\\\o\\d\\\\\\\\ 001385862 007__ cr\cn\nnnunnun 001385862 008__ 170413s2017\\\\maua\\\\ob\\\\001\0\eng\d 001385862 020__ $$a9780262340151$$q(electronic bk.) 001385862 020__ $$a0262340151$$q(electronic bk.) 001385862 020__ $$a9780262340168$$q(electronic bk.) 001385862 020__ $$a026234016X$$q(electronic bk.) 001385862 020__ $$z9780262036214 001385862 020__ $$z0262036215 001385862 0248_ $$a14079002 001385862 035__ $$a(OCoLC)982287921$$z(OCoLC)984522662$$z(OCoLC)987346305$$z(OCoLC)989027233$$z(OCoLC)993681858$$z(OCoLC)1005306896 001385862 035__ $$a(OCoLC-P)982287921 001385862 040__ $$aOCoLC-P$$beng$$erda$$epn$$cOCoLC-P 001385862 050_4 $$aHN90.I56$$bL56 2017eb 001385862 072_7 $$aPSY$$x031000$$2bisacsh 001385862 072_7 $$aCOM060000$$2bisacsh 001385862 072_7 $$aCOM060140$$2bisacsh 001385862 08204 $$a302.23/10973$$223 001385862 1001_ $$aLingel, Jessica,$$eauthor. 001385862 24510 $$aDigital countercultures and the struggle for community /$$cJessa Lingel. 001385862 24618 $$aDigital countercultures 001385862 264_1 $$aCambridge, Massachusetts :$$bThe MIT Press,$$c[2017] 001385862 264_4 $$c©2017 001385862 300__ $$a1 online resource (viii, 178 pages) :$$billustrations. 001385862 336__ $$atext$$btxt$$2rdacontent 001385862 337__ $$acomputer$$bc$$2rdamedia 001385862 338__ $$aonline resource$$bcr$$2rdacarrier 001385862 4901_ $$aThe information society series 001385862 506__ $$aAccess limited to authorized users. 001385862 5208_ $$aWhether by accidental keystroke or deliberate tinkering, technology is often used in ways that are unintended and unimagined by its designers and inventors. Jessa Lingel offers an account of digital technology use that looks beyond Silicon Valley and college dropouts-turned-entrepreneurs. Instead, Lingel tells stories from the margins of countercultural communities that have made the Internet meet their needs, subverting established norms of how digital technologies should be used. Lingel presents three case studies that contrast the imagined uses of the web to its lived and often messy practicalities. She examines a social media platform (developed long before Facebook) for body modification enthusiasts, with early web experiments in blogging, community, wikis, online dating, and podcasts; a network of communication technologies (both analog and digital) developed by a local community of punk rockers to manage information about underground shows; and the use of Facebook and Instagram for both promotional and community purposes by Brooklyn drag queens. Drawing on years of fieldwork, Lingel explores issues of alterity and community, inclusivity and exclusivity, secrecy and surveillance, and anonymity and self-promotion. By examining online life in terms of countercultural communities, Lingel argues that looking at outsider experiences helps us to imagine new uses and possibilities for the tools and platforms we use in everyday life. 001385862 588__ $$aOCLC-licensed vendor bibliographic record. 001385862 650_0 $$aInternet$$xSocial aspects$$zUnited States. 001385862 650_0 $$aInternet users$$zUnited States. 001385862 650_0 $$aSubculture$$zUnited States. 001385862 650_0 $$aSocial interaction$$zUnited States. 001385862 650_0 $$aDigital media$$zUnited States. 001385862 653__ $$aSOCIAL SCIENCES/Media Studies 001385862 653__ $$aINFORMATION SCIENCE/Communications & Telecommunications 001385862 655_0 $$aElectronic books 001385862 852__ $$bebk 001385862 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/11105.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct 001385862 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 001385862 909CO $$ooai:library.usi.edu:1385862$$pGLOBAL_SET 001385862 980__ $$aBIB 001385862 980__ $$aEBOOK 001385862 982__ $$aEbook 001385862 983__ $$aOnline