001386110 000__ 03382cam\a2200541Ii\4500 001386110 001__ 1386110 001386110 003__ MaCbMITP 001386110 005__ 20240325105022.0 001386110 006__ m\\\\\o\\d\\\\\\\\ 001386110 007__ cr\cn\nnnunnun 001386110 008__ 171110s2017\\\\maua\\\\ob\\\\001\0\eng\d 001386110 020__ $$a9780262343367$$q(electronic bk.) 001386110 020__ $$a0262343363$$q(electronic bk.) 001386110 020__ $$z9780262037020 001386110 020__ $$z0262037025 001386110 035__ $$a(OCoLC)1011094457 001386110 035__ $$a(OCoLC-P)1011094457 001386110 040__ $$aOCoLC-P$$beng$$erda$$epn$$cOCoLC-P 001386110 050_4 $$aTR183$$b.Z95 2017eb 001386110 072_7 $$aCOM$$x087030$$2bisacsh 001386110 072_7 $$aPHO$$x017000$$2bisacsh 001386110 072_7 $$aTEC$$x015000$$2bisacsh 001386110 08204 $$a770$$223 001386110 1001_ $$aZylinska, Joanna,$$d1971-$$eauthor. 001386110 24510 $$aNonhuman photography /$$cJoanna Zylinska. 001386110 264_1 $$aCambridge, MA :$$bThe MIT Press,$$c[2017] 001386110 264_4 $$c©2017 001386110 300__ $$a1 online resource (viii, 257 pages) :$$billustrations 001386110 336__ $$atext$$btxt$$2rdacontent 001386110 337__ $$acomputer$$bc$$2rdamedia 001386110 338__ $$aonline resource$$bcr$$2rdacarrier 001386110 506__ $$aAccess limited to authorized users. 001386110 520__ $$a"Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element -- that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force. Zylinska explores the potential of photography for developing new modes of seeing and imagining, and presents images from her own photographic project, Active Perceptual Systems. She also examines the challenges posed by digitization to established notions of art, culture, and the media. In connecting biological extinction and technical obsolescence, and discussing the parallels between photography and fossilization, she proposes to understand photography as a light-induced process of fossilization across media and across time scales."--Provided by publisher. 001386110 588__ $$aOCLC-licensed vendor bibliographic record. 001386110 650_0 $$aPhotography$$xPhilosophy. 001386110 650_0 $$aHidden camera photography. 001386110 650_0 $$aElectronic surveillance. 001386110 650_0 $$aAutomatic machinery. 001386110 650_0 $$aExtinction (Biology) 001386110 653__ $$aARTS/Photography & Film/General 001386110 653__ $$aDIGITAL HUMANITIES & NEW MEDIA/New Media Art 001386110 655_0 $$aElectronic books 001386110 852__ $$bebk 001386110 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/10938.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct 001386110 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 001386110 909CO $$ooai:library.usi.edu:1386110$$pGLOBAL_SET 001386110 980__ $$aBIB 001386110 980__ $$aEBOOK 001386110 982__ $$aEbook 001386110 983__ $$aOnline