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001386444 020__ $$a128374161X
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001386444 020__ $$z9780262018388$$q(hardcover ;$$qalk. paper)
001386444 020__ $$z0262018381$$q(hardcover ;$$qalk. paper)
001386444 035__ $$a(OCoLC)821645716$$z(OCoLC)818734334$$z(OCoLC)820120964$$z(OCoLC)822031346$$z(OCoLC)961613818$$z(OCoLC)975244827$$z(OCoLC)975291535$$z(OCoLC)988450623$$z(OCoLC)992020649$$z(OCoLC)1004392451
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001386444 24504 $$aThe psychophysical ear :$$bmusical experiments, experimental sounds, 1840-1910 /$$cAlexandra Hui.
001386444 264_1 $$aCambridge, Massachusetts :$$bThe MIT Press,$$c2012.
001386444 300__ $$a1 online resource (xxii, 233 pages) :$$billustrations.
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001386444 337__ $$acomputer$$bc$$2rdamedia
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001386444 4901_ $$aTransformations: studies in the history of science and technology
001386444 506__ $$aAccess limited to authorized users.
001386444 520__ $$aAn examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria.
001386444 588__ $$aOCLC-licensed vendor bibliographic record.
001386444 650_0 $$aPsychoacoustics$$xHistory$$y19th century.
001386444 650_0 $$aPsychoacoustics$$xHistory$$y20th century.
001386444 650_0 $$aSound$$xExperiments$$xHistory$$y19th century.
001386444 650_0 $$aSound$$xExperiments$$xHistory$$y20th century.
001386444 650_0 $$aAvant-garde (Music)$$xHistory$$y19th century.
001386444 650_0 $$aAvant-garde (Music)$$xHistory$$y20th century.
001386444 653__ $$aSCIENCE, TECHNOLOGY & SOCIETY/History of Science
001386444 653__ $$aARTS/Music & Sound Studies
001386444 653__ $$aCOGNITIVE SCIENCES/Psychology/Cognitive Psychology
001386444 655_0 $$aElectronic books
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001386444 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/9460.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct
001386444 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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