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001386484 035__ $$a(OCoLC)1082868098
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001386484 1001_ $$aHarbison, Isobel,$$eauthor.
001386484 24510 $$aPerforming image /$$cIsobel Harbison.
001386484 264_1 $$aCambridge :$$bThe MIT Press,$$c2019.
001386484 300__ $$a1 online resource (256 pages)
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001386484 338__ $$aonline resource$$bcr$$2rdacarrier
001386484 506__ $$aAccess limited to authorized users.
001386484 520__ $$aAn examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era. In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation--from home video to social media--suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer , Mark Leckey, Wu Tsang, and Martine Syms. Harbison argues that while we produce images, images also produce us--those that we take and share, those that we see and assimilate through mass media and social media, those that we encounter in museums and galleries. Although all the artists she examines express their relation to images uniquely, they also offer a vantage point on today's productive-consumptive image circuits in which billions of us are caught. This unregulated, all-encompassing image performativity, Harbison writes, puts us to work, for free, in the service of global corporate expansion. Harbison offers a three-part interpretive framework for understanding this new proximity to images as it is negotiated by these artworks, a detailed outline of a set of connected practices--and a declaration of the value of art in an economy of attention and a crisis of representation.
001386484 588__ $$aOCLC-licensed vendor bibliographic record.
001386484 650_0 $$aArt, Modern$$y20th century$$xPhilosophy.
001386484 650_0 $$aArt, Modern$$y21st century$$xPhilosophy.
001386484 650_0 $$aImage (Philosophy)
001386484 655_0 $$aElectronic books
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001386484 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/10973.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct
001386484 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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