001387242 000__ 03234cam\a2200529Ia\4500 001387242 001__ 1387242 001387242 003__ MaCbMITP 001387242 005__ 20240325105106.0 001387242 006__ m\\\\\o\\d\\\\\\\\ 001387242 007__ cr\cn\nnnunnun 001387242 008__ 030825s2001\\\\maua\\\\ob\\\\001\0\eng\d 001387242 020__ $$a9780262256896$$q(electronic bk.) 001387242 020__ $$a0262256894$$q(electronic bk.) 001387242 020__ $$a0585467129$$q(electronic bk.) 001387242 020__ $$a9780585467122$$q(electronic bk.) 001387242 020__ $$z9780262681490 001387242 020__ $$z0262681498 001387242 035__ $$a(OCoLC)52905383$$z(OCoLC)992010327$$z(OCoLC)1011875386$$z(OCoLC)1022029376 001387242 035__ $$a(OCoLC-P)52905383 001387242 040__ $$aOCoLC-P$$beng$$epn$$cOCoLC-P 001387242 050_4 $$aML74$$b.R68 2001eb 001387242 072_7 $$aMUS$$x033000$$2bisacsh 001387242 072_7 $$aMUS$$x006000$$2bisacsh 001387242 08204 $$a780/.285$$221 001387242 1001_ $$aRowe, Robert. 001387242 24510 $$aMachine musicianship /$$cRobert Rowe. 001387242 260__ $$aCambridge, Mass. :$$bMIT Press,$$c©2001. 001387242 300__ $$a1 online resource (x, 399 pages) :$$billustrations 001387242 336__ $$atext$$btxt$$2rdacontent 001387242 337__ $$acomputer$$bc$$2rdamedia 001387242 338__ $$aonline resource$$bcr$$2rdacarrier 001387242 506__ $$aAccess limited to authorized users. 001387242 5203_ $$a"Musicians begin formal training by acquiring a body of musical concepts commonly known as musicianship. These concepts underlie the musical skills of listening, performance, and composition. Like humans, computer music programs can benefit from a systematic foundation of musical knowledge. This book explores the technology of implementing musical processes such as segmentation, pattern processing, and interactive improvisation in computer programs. It shows how the resulting applications can be used to accomplish tasks ranging from the solution of simple musical problems to the live performance of interactive compositions and the design of musically responsive installations and Web sites. Machine Musicianship is both a programming tutorial and an exploration of the foundational concepts of musical analysis, performance, and composition. The theoretical foundations are derived from the fields of music theory, computer music, music cognition, and artificial intelligence. The book will be of interest to practitioners of those fields, as well as to performers and composers. The concepts are programmed using C++ and Max. The accompanying CD-ROM includes working versions of the examples, as well as source code and a hypertext document showing how the code leads to the program's musical functionality." 001387242 588__ $$aOCLC-licensed vendor bibliographic record. 001387242 650_0 $$aArtificial intelligence$$xMusical applications. 001387242 650_0 $$aMusic$$xComputer programs. 001387242 650_0 $$aReal-time programming. 001387242 650_0 $$aComputer composition (Music) 001387242 653__ $$aCOMPUTER SCIENCE/Computer Music 001387242 653__ $$aARTS/Music & Sound Studies 001387242 655_0 $$aElectronic books 001387242 852__ $$bebk 001387242 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/4361.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct 001387242 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 001387242 909CO $$ooai:library.usi.edu:1387242$$pGLOBAL_SET 001387242 980__ $$aBIB 001387242 980__ $$aEBOOK 001387242 982__ $$aEbook 001387242 983__ $$aOnline