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001387462 035__ $$a(OCoLC)48139988$$z(OCoLC)827009323$$z(OCoLC)868211387$$z(OCoLC)984642006
001387462 035__ $$a(OCoLC-P)48139988
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001387462 24500 $$aMusic and connectionism /$$cedited by Peter M. Todd and D. Gareth Loy.
001387462 260__ $$aCambridge, Mass. :$$bMIT Press,$$c©1991.
001387462 300__ $$a1 online resource (xi, 268 pages) :$$billustrations
001387462 336__ $$atext$$btxt$$2rdacontent
001387462 337__ $$acomputer$$bc$$2rdamedia
001387462 338__ $$aonline resource$$bcr$$2rdacarrier
001387462 500__ $$a"This book came out of ... articles that first appeared in ... two special issues of the Computer music journal"--Preface.
001387462 500__ $$a"Peter M. Todd is a doctoral candidate in the PDP Research Group of the Psychology Department at Stanford University. Gareth Loy is an award-winning composer, a lecturer in the Music Department of the University of California, San Diego, and a member of the technical staff of Frox Inc."
001387462 500__ $$a"Contributors. Jamshed J. Bharucha. Peter Desain. Mark Dolson. Robert Gjerclingen. Henkjan Honing. B. Keith Jenkins. Jacqueline Jons. Douglas H. Keefe. Tuevo Kohonen. Bernice Laden. Pauli Laine. Otto Laske. Marc Leman. J.P. Lewis. Christoph Lischka. D. Gareth Loy. Ben Miller. Michael Mozer. Samir I. Sayegh. Hajime Sano. Todd Soukup. Don Scarborough. Kalev Tiits. Peter M. Todd. Kari Torkkola."
001387462 506__ $$aAccess limited to authorized users.
001387462 5203_ $$a"As one of our highest expressions of thought and creativity, music has always been a difficult realm to capture, model, and understand. The connectionist paradigm, now beginning to provide insights into many realms of human behavior, offers a new and unified viewpoint from which to investigate the subtleties of musical experience. Music and Connectionism provides a fresh approach to both fields, using the techniques of connectionism and parallel distributed processing to look at a wide range of topics in music research, from pitch perception to chord fingering to composition. The contributors, leading researchers in both music psychology and neural networks, address the challenges and opportunities of musical applications of network models. The result is a current and thorough survey of the field that advances understanding of musical phenomena encompassing perception, cognition, composition, and performance, and in methods for network design and analysis."
001387462 588__ $$aOCLC-licensed vendor bibliographic record.
001387462 650_0 $$aComputer music$$xHistory and criticism.
001387462 650_0 $$aConnectionism.
001387462 650_0 $$aPsychoacoustics.
001387462 653__ $$aCOMPUTER SCIENCE/Computer Music
001387462 653__ $$aARTS/Music & Sound Studies
001387462 655_0 $$aElectronic books
001387462 7001_ $$aTodd, Peter M.
001387462 7001_ $$aLoy, D. Gareth.
001387462 7300_ $$aComputer music journal.
001387462 852__ $$bebk
001387462 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/4804.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct
001387462 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
001387462 909CO $$ooai:library.usi.edu:1387462$$pGLOBAL_SET
001387462 980__ $$aBIB
001387462 980__ $$aEBOOK
001387462 982__ $$aEbook
001387462 983__ $$aOnline