001387563 000__ 02948cam\a2200541Ia\4500 001387563 001__ 1387563 001387563 003__ MaCbMITP 001387563 005__ 20240325105119.0 001387563 006__ m\\\\\o\\d\\\\\\\\ 001387563 007__ cr\cn\nnnunnun 001387563 008__ 980317s1999\\\\maua\\\\ob\\\\001\0\eng\d 001387563 020__ $$a0585070342$$q(electronic bk.) 001387563 020__ $$a9780585070346$$q(electronic bk.) 001387563 020__ $$a9780262270755 001387563 020__ $$a0262270757 001387563 020__ $$a0262531909 001387563 020__ $$a9780262531900 001387563 020__ $$z0262032562$$q(hc ;$$qalk. paper) 001387563 020__ $$z9780262032568$$q(hc ;$$qalk. paper) 001387563 035__ $$a(OCoLC)42922503$$z(OCoLC)320325776$$z(OCoLC)508274271$$z(OCoLC)532461750$$z(OCoLC)560523951$$z(OCoLC)646747524$$z(OCoLC)758925746$$z(OCoLC)956625180$$z(OCoLC)961668158$$z(OCoLC)962638599$$z(OCoLC)984519848$$z(OCoLC)990601319$$z(OCoLC)990663855$$z(OCoLC)1007383263$$z(OCoLC)1030906729$$z(OCoLC)1033543048$$z(OCoLC)1035652053$$z(OCoLC)1037436143$$z(OCoLC)1038597073$$z(OCoLC)1051628765$$z(OCoLC)1055395485$$z(OCoLC)1055769020$$z(OCoLC)1057681702$$z(OCoLC)1058097315$$z(OCoLC)1066650910$$z(OCoLC)1078465090$$z(OCoLC)1081252343 001387563 035__ $$a(OCoLC-P)42922503 001387563 040__ $$aOCoLC-P$$beng$$epn$$cOCoLC-P 001387563 050_4 $$aSDA 01703 001387563 050_4 $$aML3805$$b.M8814 1999eb 001387563 08204 $$a781/.11$$221 001387563 24500 $$aMusic, cognition, and computerized sound :$$ban introduction to psychoacoustics /$$cedited by Perry R. Cook. 001387563 260__ $$aCambridge, Mass. :$$bMIT Press,$$c©1999. 001387563 264_4 $$c©1999 001387563 300__ $$a1 online resource (xi, 372 pages) :$$billustrations 001387563 336__ $$atext$$btxt$$2rdacontent 001387563 337__ $$acomputer$$bc$$2rdamedia 001387563 338__ $$aonline resource$$bcr$$2rdacarrier 001387563 506__ $$aAccess limited to authorized users. 001387563 5201_ $$a"How hearing works and how the brain processes sounds entering the ear to provide the listener with useful information are of great interest to psychologists, cognitive scientists, and musicians. However, while a number of books have concentrated on individual aspects of this field, known as psychoacoustics, there has been no comprehensive introductory coverage of the multiple topics encompassed under the term. Music, Cognition, and Computerized Sound is the first book to provide that coverage, and it does so via a unique and useful approach."--Jacket. 001387563 588__ $$aOCLC-licensed vendor bibliographic record. 001387563 650_0 $$aMusic$$xAcoustics and physics. 001387563 650_0 $$aPsychoacoustics. 001387563 650_0 $$aMusic$$xPsychological aspects. 001387563 653__ $$aCOMPUTER SCIENCE/Computer Music 001387563 653__ $$aARTS/Music & Sound Studies 001387563 655_0 $$aElectronic books 001387563 7001_ $$aCook, Perry R. 001387563 852__ $$bebk 001387563 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/4808.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct 001387563 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 001387563 909CO $$ooai:library.usi.edu:1387563$$pGLOBAL_SET 001387563 980__ $$aBIB 001387563 980__ $$aEBOOK 001387563 982__ $$aEbook 001387563 983__ $$aOnline