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001387576 072_7 $$aMUS$$x041000$$2bisacsh
001387576 08204 $$a781.640285$$223
001387576 1001_ $$aBrøvig-Hanssen, Ragnhild,$$eauthor.
001387576 24510 $$aDigital signatures :$$bthe impact of digitization on popular music sound /$$cRagnhild Brøvig-Hanssen and Anne Danielsen.
001387576 264_1 $$aCambridge, MA :$$bThe MIT Press,$$c[2016]
001387576 264_4 $$c©2016
001387576 300__ $$a1 online resource (ix, 188 pages) :$$billustrations
001387576 336__ $$atext$$btxt$$2rdacontent
001387576 337__ $$acomputer$$bc$$2rdamedia
001387576 338__ $$aonline resource$$bcr$$2rdacarrier
001387576 506__ $$aAccess limited to authorized users.
001387576 520__ $$aHow sonically distinctive digital "signatures"--Including reverb, glitches, and autotuning -- affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others.
001387576 588__ $$aOCLC-licensed vendor bibliographic record.
001387576 650_0 $$aPopular music$$xPhilosophy and aesthetics.
001387576 650_0 $$aPopular music$$xProduction and direction.
001387576 650_0 $$aSound$$xRecording and reproducing$$xDigital techniques.
001387576 653__ $$aARTS/Music & Sound Studies
001387576 653__ $$aSOCIAL SCIENCES/Media Studies
001387576 653__ $$aCULTURAL STUDIES/Popular Culture
001387576 655_0 $$aElectronic books
001387576 7001_ $$aDanielsen, Anne,$$eauthor.
001387576 852__ $$bebk
001387576 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/10192.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct
001387576 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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