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001387611 020__ $$a9781461943303$$q(electronic bk.)
001387611 020__ $$a1461943302$$q(electronic bk.)
001387611 020__ $$a9781299848467$$q(electronic bk.)
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001387611 035__ $$a(OCoLC)858282178$$z(OCoLC)857968708$$z(OCoLC)858730186$$z(OCoLC)861532487
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001387611 1001_ $$aPortela, Manuel,$$d1964-
001387611 24510 $$aScripting reading motions :$$bthe codex and the computer as self-reflexive machines /$$cManuel Portela.
001387611 264_1 $$aCambridge, Massachusetts :$$bThe MIT Press,$$c[2013]
001387611 264_4 $$c©2013
001387611 300__ $$a1 online resource (ix, 410 pages) :$$billustrations
001387611 336__ $$atext$$btxt$$2rdacontent
001387611 337__ $$acomputer$$bc$$2rdamedia
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001387611 506__ $$aAccess limited to authorized users.
001387611 520__ $$aAn exploration of what experimental literature in both print and programmable media tells us about the act of reading.In Scripting Reading Motions, Manuel Portela explores the expressive use of book forms and programmable media in experimental works of both print and electronic literature and finds a self-conscious play with the dynamics of reading and writing. Portela examines a series of print and digital works by Johanna Drucker, Mark Z. Danielewski, Rui Torres, Jim Andrews, and others, for the insights they yield about the semiotic and interpretive actions through which readers produce meaning when interacting with codes. Analyzing these works as embodiments and simulations of the motions of reading, Portela pays particular attention to the ways in which awareness of eye movements and haptic interactions in both print and electronic media feeds back onto the material and semantic layers of the works. These feedbacks, he argues, sustain self-reflexive loops that link the body of the reader to the embodied work. Readers' haptic actions and eye movements coinstantiate the object that they are reading.Portela discusses typographic and graphic marks as choreographic notations for reading movements; examines digital recreations of experimental print literary artifacts; considers reading motions in kinetic and generated texts; analyzes the relationship of bibliographic, linguistic, and narrative coding in Danielewski's novel-poem, Only Revolutions; and describes emergent meanings in interactive textual instruments. The expressive use of print and programmable media, Portela shows, offers a powerful model of the semiotic, interpretive, and affective operations embodied in reading processes.Important Notice: The digital edition of this book is missing some of the images found in the physical edition.
001387611 588__ $$aOCLC-licensed vendor bibliographic record.
001387611 650_0 $$aReading, Psychology of.
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001387611 650_0 $$aHypertext literature.
001387611 650_0 $$aLiterature and technology.
001387611 650_0 $$aInformation visualization.
001387611 650_0 $$aBooks and reading.
001387611 653__ $$aDIGITAL HUMANITIES & NEW MEDIA/General
001387611 653__ $$aSOCIAL SCIENCES/Media Studies
001387611 655_0 $$aElectronic books
001387611 852__ $$bebk
001387611 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/9494.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct
001387611 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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