001387616 000__ 02863cam\a2200565Ki\4500 001387616 001__ 1387616 001387616 003__ MaCbMITP 001387616 005__ 20240325105121.0 001387616 006__ m\\\\\o\\d\\\\\\\\ 001387616 007__ cr\cn\nnnunnun 001387616 008__ 150313s2015\\\\maua\\\\ob\\\\001\0\eng\d 001387616 020__ $$a9780262323598$$q(electronic bk.) 001387616 020__ $$a0262323591$$q(electronic bk.) 001387616 020__ $$a9780262028462 001387616 020__ $$a0262028468 001387616 035__ $$a(OCoLC)904799950$$z(OCoLC)908047617 001387616 035__ $$a(OCoLC-P)904799950 001387616 040__ $$aOCoLC-P$$beng$$erda$$epn$$cOCoLC-P 001387616 050_4 $$aBD418.8$$b.S25 2015eb 001387616 072_7 $$aSOC$$x000000$$2bisacsh 001387616 072_7 $$aART046000$$2bisacsh 001387616 072_7 $$aART060000$$2bisacsh 001387616 08204 $$a303.48/33$$223 001387616 1001_ $$aSalter, Chris,$$d1967-$$eauthor. 001387616 24510 $$aAlien agency :$$bexperimental encounters with art in the making /$$cChris Salter ; afterword by Andrew Pickering. 001387616 264_1 $$aCambridge, Massachusetts :$$bThe MIT Press,$$c[2015] 001387616 300__ $$a1 online resource (xiii, 311 pages) :$$billustrations 001387616 336__ $$atext$$btxt$$2rdacontent 001387616 337__ $$acomputer$$bc$$2rdamedia 001387616 338__ $$aonline resource$$bcr$$2rdacarrier 001387616 506__ $$aAccess limited to authorized users. 001387616 520__ $$a"In Alien Agency, Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art - the 'stuff of the world' - behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying thse works - all three deeply embroiled in and enabled by science and technology - allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigates how researcher-creators organize the conditions for these experimental, performative assemlages that sidestep dichotomies between subjects and objects, human and nonhuman, mind and body, knowing and experiencing." 001387616 588__ $$aOCLC-licensed vendor bibliographic record. 001387616 650_0 $$aArtificial life. 001387616 650_0 $$aExperience. 001387616 650_0 $$aCreation (Literary, artistic, etc.) 001387616 650_0 $$aTechnology$$xPhilosophy. 001387616 650_0 $$aTissue culture$$xPhilosophy. 001387616 650_0 $$aSenses and sensation. 001387616 653__ $$aDIGITAL HUMANITIES & NEW MEDIA/New Media Art 001387616 653__ $$aARTS/Art Theory & Criticism 001387616 653__ $$aSOCIAL SCIENCES/Media Studies 001387616 655_0 $$aElectronic books 001387616 7001_ $$aPickering, Andrew,$$d1948-$$eauthor of afterword. 001387616 852__ $$bebk 001387616 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/9356.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct 001387616 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 001387616 909CO $$ooai:library.usi.edu:1387616$$pGLOBAL_SET 001387616 980__ $$aBIB 001387616 980__ $$aEBOOK 001387616 982__ $$aEbook 001387616 983__ $$aOnline