001387647 000__ 03348cam\a2200505Ii\4500 001387647 001__ 1387647 001387647 003__ MaCbMITP 001387647 005__ 20240325105122.0 001387647 006__ m\\\\\o\\d\\\\\\\\ 001387647 007__ cr\cn\nnnunnun 001387647 008__ 180419t20182018maua\\\\ob\\\\101\0\eng\d 001387647 020__ $$a9780262344548$$q(electronic bk.) 001387647 020__ $$a0262344548$$q(electronic bk.) 001387647 020__ $$z9780262037457 001387647 020__ $$z0262037459 001387647 035__ $$a(OCoLC)1031706672$$z(OCoLC)1032708659 001387647 035__ $$a(OCoLC-P)1031706672 001387647 040__ $$aOCoLC-P$$beng$$erda$$epn$$cOCoLC-P 001387647 050_4 $$aML3800$$b.O744 2018eb 001387647 072_7 $$aMUS$$x041000$$2bisacsh 001387647 08204 $$a781.1/1$$223 001387647 24504 $$aThe origins of musicality /$$cedited by Henkjan Honing ; foreword by W. Tecumseh Fitch. 001387647 264_1 $$aCambridge, Massachusetts :$$bThe MIT Press,$$c[2018] 001387647 264_4 $$c©2018 001387647 300__ $$a1 online resource (xii, 351 pages) :$$billustrations 001387647 336__ $$atext$$btxt$$2rdacontent 001387647 337__ $$acomputer$$bc$$2rdamedia 001387647 338__ $$aonline resource$$bcr$$2rdacarrier 001387647 500__ $$aPrincipally revised versions of papers presented at the 2014 Lorentz Workshop "What Makes Us Musical Animals? Cognition, Biology and the Origins of Musicality," held in Leiden, the Netherlands, April 2014. 001387647 506__ $$aAccess limited to authorized users. 001387647 520__ $$aInterdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Research shows that all humans have a predisposition for music, just as they do for language. All of us can perceive and enjoy music, even if we can't carry a tune and consider ourselves "unmusical." This volume offers interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Scholars from biology, musicology, neurology, genetics, computer science, anthropology, psychology, and other fields consider what music is for and why every human culture has it; whether musicality is a uniquely human capacity; and what biological and cognitive mechanisms underlie it. Contributors outline a research program in musicality, and discuss issues in studying the evolution of music; consider principles, constraints, and theories of origins; review musicality from cross-cultural, cross-species, and cross-domain perspectives; discuss the computational modeling of animal song and creativity; and offer a historical context for the study of musicality. The volume aims to identify the basic neurocognitive mechanisms that constitute musicality (and effective ways to study these in human and nonhuman animals) and to develop a method for analyzing musical phenotypes that point to the biological basis of musicality. 001387647 588__ $$aOCLC-licensed vendor bibliographic record. 001387647 650_0 $$aMusic$$xOrigin$$vCongresses. 001387647 650_0 $$aMusical ability$$vCongresses. 001387647 653__ $$aARTS/Music & Sound Studies 001387647 653__ $$aLINGUISTICS & LANGUAGE/General 001387647 653__ $$aCOGNITIVE SCIENCES/General 001387647 655_0 $$aElectronic books 001387647 7001_ $$aHoning, Henkjan,$$eeditor. 001387647 852__ $$bebk 001387647 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/10636.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct 001387647 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 001387647 909CO $$ooai:library.usi.edu:1387647$$pGLOBAL_SET 001387647 980__ $$aBIB 001387647 980__ $$aEBOOK 001387647 982__ $$aEbook 001387647 983__ $$aOnline