TY  - GEN
N2  - Annotation
N2  - What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology -- the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself. ContributorsSimha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, Francois-Bernard Mache, Peter Marler, Bjorn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J.B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling."
AB  - Annotation
AB  - What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology -- the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself. ContributorsSimha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, Francois-Bernard Mache, Peter Marler, Bjorn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J.B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling."
T1  - The origins of music /
DA  - ©2000.
CY  - Cambridge, Mass. :
AU  - Wallin, Nils Lennart.
AU  - Merker, Björn.
AU  - Brown, Steven,
CN  - ML3800
PB  - MIT Press,
PP  - Cambridge, Mass. :
PY  - ©2000.
N1  - Consists of papers given at a workshop on the origins of music held in Fiesole, Italy, May 1997, the first of a series called Florentine Workshops in Biomusicology.
N1  - "A Bradford Book."
ID  - 1387688
KW  - Music
KW  - Human evolution
KW  - Musicology
KW  - Biomusicology
KW  - ARTS/Music & Sound Studies
KW  - COGNITIVE SCIENCES/General
SN  - 9780262285698
SN  - 026228569X
SN  - 0585200068
SN  - 9780585200064
SN  - 0262731436
SN  - 9780262731430
TI  - The origins of music /
LK  - https://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/5190.001.0001?locatt=mode:legacy
LK  - http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
UR  - https://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/5190.001.0001?locatt=mode:legacy
UR  - http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
ER  -