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001387688 020__ $$a9780262285698$$q(electronic)
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001387688 035__ $$a(OCoLC)44963330$$z(OCoLC)58473802$$z(OCoLC)68960692$$z(OCoLC)507420603$$z(OCoLC)728667150$$z(OCoLC)758933688$$z(OCoLC)961652404$$z(OCoLC)961856231$$z(OCoLC)962720069$$z(OCoLC)970726058$$z(OCoLC)984567949$$z(OCoLC)990403750$$z(OCoLC)990589706$$z(OCoLC)1007409814$$z(OCoLC)1038593477$$z(OCoLC)1045476400$$z(OCoLC)1052986865$$z(OCoLC)1055829678
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001387688 24504 $$aThe origins of music /$$cedited by Nils Wallin, Björn Merker, and Steven Brown.
001387688 260__ $$aCambridge, Mass. :$$bMIT Press,$$c©2000.
001387688 264_4 $$c©2000
001387688 300__ $$a1 online resource (xii, 498 pages) :$$billustrations
001387688 336__ $$atext$$btxt$$2rdacontent
001387688 337__ $$acomputer$$bc$$2rdamedia
001387688 338__ $$aonline resource$$bcr$$2rdacarrier
001387688 500__ $$aConsists of papers given at a workshop on the origins of music held in Fiesole, Italy, May 1997, the first of a series called Florentine Workshops in Biomusicology.
001387688 500__ $$a"A Bradford Book."
001387688 506__ $$aAccess limited to authorized users.
001387688 5208_ $$aAnnotation$$bWhat biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology -- the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself. ContributorsSimha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, Francois-Bernard Mache, Peter Marler, Bjorn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J.B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling."
001387688 588__ $$aOCLC-licensed vendor bibliographic record.
001387688 650_0 $$aMusic$$xOrigin$$vCongresses.
001387688 650_0 $$aHuman evolution$$vCongresses.
001387688 650_0 $$aMusicology$$vCongresses.
001387688 653__ $$aBiomusicology
001387688 653__ $$aARTS/Music & Sound Studies
001387688 653__ $$aCOGNITIVE SCIENCES/General
001387688 655_0 $$aElectronic books
001387688 7001_ $$aWallin, Nils Lennart.
001387688 7001_ $$aMerker, Björn.
001387688 7001_ $$aBrown, Steven,$$d1963 March 26-
001387688 852__ $$bebk
001387688 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/5190.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct
001387688 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
001387688 909CO $$ooai:library.usi.edu:1387688$$pGLOBAL_SET
001387688 980__ $$aBIB
001387688 980__ $$aEBOOK
001387688 982__ $$aEbook
001387688 983__ $$aOnline