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001387769 020__ $$a9780262346559$$q(electronic bk.)
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001387769 035__ $$a(OCoLC)1062398538
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001387769 08204 $$a005.4/37$$223
001387769 1001_ $$aAndersen, Christian Ulrik,$$eauthor.
001387769 24514 $$aThe metainterface :$$bthe art of platforms, cities, and clouds /$$cChristian Ulrik Andersen and Søren Bro Pold.
001387769 264_1 $$aCambridge :$$bThe MIT Press,$$c2018
001387769 300__ $$a1 online resource (248 pages).
001387769 336__ $$atext$$btxt$$2rdacontent
001387769 337__ $$acomputer$$bc$$2rdamedia
001387769 338__ $$aonline resource$$bcr$$2rdacarrier
001387769 506__ $$aAccess limited to authorized users.
001387769 520__ $$aHow the interface has moved from the PC into cultural platforms, as seen in a series of works of net art, software art and electronic literature. The computer interface is both omnipresent and invisible, at once embedded in everyday objects and characterized by hidden exchanges of information between objects. The interface has moved from office into culture, with devices, apps, the cloud, and data streams as new cultural platforms. In The Metainterface , Christian Ulrik Andersen and Søren Bro Pold examine the relationships between art and interfaces, tracing the interface's disruption of everyday cultural practices. They present a new interface paradigm of cloud services, smartphones, and data capture, and examine how particular art forms -- including net art, software art, and electronic literature -- seek to reflect and explore this paradigm. Andersen and Pold argue that despite attempts to make the interface disappear into smooth access and smart interaction, it gradually resurfaces; there is a metainterface to the displaced interface. Art can help us see this; the interface can be an important outlet for aesthetic critique. Andersen and Pold describe the "semantic capitalism" of a metainterface industry that captures user behavior; the metainterface industry's disruption of everyday urban life, changing how the city is read, inhabited, and organized; the ways that the material displacement of the cloud affects the experience of the interface; and the potential of designing with an awareness of the language and grammar of interfaces.
001387769 588__ $$aOCLC-licensed vendor bibliographic record.
001387769 650_0 $$aUser interfaces (Computer systems)$$xPhilosophy.
001387769 650_0 $$aApplication software$$xSocial aspects.
001387769 650_0 $$aHuman-computer interaction$$xPsychological aspects.
001387769 650_0 $$aComputer art.
001387769 653__ $$aDESIGN/Interactive Design
001387769 653__ $$aCOMPUTER SCIENCE/Human Computer Interaction
001387769 653__ $$aARTS/Art History/Contemporary Art
001387769 655_0 $$aElectronic books
001387769 7001_ $$aPold, Søren,$$eauthor.
001387769 852__ $$bebk
001387769 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/11041.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct
001387769 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
001387769 909CO $$ooai:library.usi.edu:1387769$$pGLOBAL_SET
001387769 980__ $$aBIB
001387769 980__ $$aEBOOK
001387769 982__ $$aEbook
001387769 983__ $$aOnline