001388758 000__ 04618cam\\22006854a\4500
001388758 001__ 1388758
001388758 003__ OCoLC
001388758 005__ 20220217003120.0
001388758 008__ 060215s2006\\\\maua\\\\\b\\\\001\0\eng\\
001388758 010__ $$a2006042005
001388758 019__ $$a779917805$$a1022632826
001388758 020__ $$a0262232499$$q(alk. paper)
001388758 020__ $$a9780262232494$$q(alk. paper)
001388758 0243_ $$a9780262232494
001388758 035__ $$a(OCoLC)64453520
001388758 040__ $$aDLC$$beng$$cDLC$$dBAKER$$dUKM$$dC#P$$dCOO$$dYDXCP$$dBTCTA$$dLVB$$dVXW$$dSTF$$dIG#$$dUKMGB$$dBDX$$dTULIB$$dDEBSZ$$dORU$$dMUU$$dP4I$$dZCU$$dI8M$$dOCLCQ$$dOCLCF$$dFQG$$dAU@$$dOCLCQ$$dDCT$$dL2U$$dIL4J6$$dOCLCO$$dISE
001388758 042__ $$apcc
001388758 049__ $$aISEA
001388758 05000 $$aTK5105.875.I57$$bW5275 2006
001388758 08200 $$a004.67/8$$222
001388758 1001_ $$aWhite, Michele,$$d1962-
001388758 24514 $$aThe body and the screen :$$btheories of Internet spectatorship /$$cMichele White.
001388758 260__ $$aCambridge, Mass. :$$bMIT Press,$$c©2006.
001388758 300__ $$axi, 307 pages :$$billustrations ;$$c24 cm
001388758 336__ $$atext$$btxt$$2rdacontent
001388758 337__ $$aunmediated$$bn$$2rdamedia
001388758 338__ $$avolume$$bnc$$2rdacarrier
001388758 504__ $$aIncludes bibliographical references (pages 273-296) and index.
001388758 5050_ $$aThe body, the screen, and representations : an introduction to theories of Internet spectatorship -- Making Internet and computer spectators -- Visual pleasure through textual passages : gazing in multi-user object-oriented settings (MOOs) -- Too close to see, too intimate a screen : men, women, and Webcams -- The aesthetic of failure : confusing spectators with Net art gone wrong -- Can you read me? : setting-specific meaning in virtual places (VP) -- This is not photography, this is not a cohesive view : computer-facilitated imaging and fragmented spectatorship -- Afterword : the flat and the fold : a consideration of embodied spectatorship.
001388758 520__ $$a"Internet and computer users are often represented onscreen as active and empowered--as in AOL's striding yellow figure and the interface hand that appears to manipulate software and hypertext links. In The Body and the Screen Michele White suggests that users can more properly be understood as spectators rendered and regulated by technologies and representations, for whom looking and the mediation of the screen are significant aspects of engagement. Drawing on apparatus and feminist psychoanalytic film theories, art history, gender studies, queer theory, critical race and postcolonial studies, and other theories of cultural production, White conceptualizes Internet and computer spectatorship and provides theoretical models that can be employed in other analyses. She offers case studies and close visual and textual analysis of the construction of spectatorship in different settings. White shows that despite the onscreen promise of empowerment and coherence (through depictions of materiality that structure the experience), fragmentation and confusion are constant aspects of Internet spectatorship. She analyzes spectatorship in multi-user object-oriented settings (MOOs) by examining the textual process of looking and gazing, contrasts the experiences of the women's webcam spectator and operator, describes intentional technological failures in net art, and considers ways in which traditional conceptions of artistry, authorship, and production techniques persist in Internet and computer settings (as seen in the creation of virtual environment avatars and in digital imaging art). Finally, she analyzes the physical and psychic pain described by male programmers in Internet forums as another counternarrative to the common tale of the empowered user. Spectatorship, White argues, not only affects the way specific interfaces are understood but also helps shape larger conceptions of self and society."--Publisher's website.
001388758 650_0 $$aInternet$$xPhilosophy.
001388758 650_0 $$aCyberfeminism.
001388758 650_0 $$aArt and technology.
001388758 650_0 $$aHuman-computer interaction.
001388758 650_6 $$aInternet$$0(CaQQLa)201-0235884$$xPhilosophie.$$0(CaQQLa)201-0380041
001388758 650_6 $$aCyberféminisme.$$0(CaQQLa)201-0427701
001388758 650_6 $$aArt et technologie.$$0(CaQQLa)201-0033046
001388758 650_6 $$aInteraction homme-ordinateur.$$0(CaQQLa)201-0070319
001388758 650_7 $$a54.02 pilosophy and theory of computer science.$$0(NL-LeOCL)077605152$$2bcl
001388758 650_7 $$aArt and technology.$$2fast$$0(OCoLC)fst00815441
001388758 650_7 $$aCyberfeminism.$$2fast$$0(OCoLC)fst00885776
001388758 650_7 $$aHuman-computer interaction.$$2fast$$0(OCoLC)fst00963494
001388758 65017 $$aInternet.$$0(NL-LeOCL)101068689$$2gtt
001388758 65017 $$aPhilosophical aspects.$$0(NL-LeOCL)078506204$$2gtt
001388758 65017 $$aComputer art.$$0(NL-LeOCL)07847356X$$2gtt
001388758 65017 $$aInteractive computer programs.$$0(NL-LeOCL)078546982$$2gtt
001388758 65017 $$aFeminism.$$0(NL-LeOCL)078504422$$2gtt
001388758 650_7 $$aInternet$$xPhilosophy.$$2nli
001388758 650_7 $$aCyberfeminism.$$2nli
001388758 650_7 $$aArt and technology.$$2nli
001388758 650_7 $$aHuman-computer interaction.$$2nli
001388758 852__ $$bgen$$hTK5105.875.I57$$iW5275 2006
001388758 909CO $$ooai:library.usi.edu:1388758$$pGLOBAL_SET
001388758 980__ $$aBOOK
001388758 980__ $$aBIB