001389159 000__ 02875nam\a2200565\i\4500
001389159 001__ 1389159
001389159 003__ DLC
001389159 005__ 20220309003215.0
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001389159 007__ cr\un\nnnunnun
001389159 008__ 210601t20222022enka\\\\obq\\\001\0\eng\d
001389159 010__ $$a  2021017621
001389159 020__ $$a9781350197640$$q(electronic book)
001389159 020__ $$a1350197645$$q(electronic book)
001389159 020__ $$a9781350197657$$q(electronic book)
001389159 020__ $$a1350197653$$q(electronic book)
001389159 020__ $$a9781350197664$$q(electronic book)
001389159 020__ $$a1350197661$$q(electronic book)
001389159 020__ $$z9781788313995
001389159 020__ $$z9781350244443
001389159 0247_ $$a10.5040/9781350197664$$2doi
001389159 040__ $$aNhCcYBP$$cNhCcYBP
001389159 042__ $$apcc
001389159 050_4 $$aPN1995.9.W6$$bG37 2022
001389159 08200 $$a791.436/522$$223
001389159 1001_ $$aGarfield, Rachel,$$eauthor.
001389159 24510 $$aExperimental filmmaking and punk :$$bfeminist audio visual culture in the 1970s and 1980s /$$cRachel Garfield.
001389159 264_1 $$aLondon, UK ;$$aNew York, NY :$$bBloomsbury Academic,$$c2022.
001389159 264_4 $$c©2022
001389159 300__ $$a1 online resource :$$billustrations.
001389159 336__ $$atext$$btxt$$2rdacontent
001389159 337__ $$acomputer$$bc$$2rdamedia
001389159 338__ $$aonline resource$$bcr$$2rdacarrier
001389159 504__ $$aIncludes bibliographical references, filmography and index.
001389159 5050_ $$aIntroduction -- 1. Do it Yourself and the Amateur -- 2. The Last of the Modern Two -- Visualizing Women, Otherness and the Cosmopolitan Punk -- 3. Feminism, Visualising the Kitchen Table and Do-It-Yourself: in Praise of the Fragment Part 1 -- 4. Kracauer Disintegration and Punk: In Praise of the Fragment Part 2 -- 5. Representation and the Inability to Situate: the Undecidability of Women's Punk -- Conclusion -- Bibliography.
001389159 506__ $$aAccess limited to authorized users
001389159 5320_ $$aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.
001389159 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
001389159 588__ $$aDescription based on online resource; title from digital title page (viewed on January 05, 2022).
001389159 650_0 $$aWomen motion picture producers and directors.
001389159 650_0 $$aWomen in the motion picture industry.
001389159 650_0 $$aFeminism and motion pictures.
001389159 655_0 $$aElectronic books
001389159 7102_ $$aProQuest (Firm)
001389159 77608 $$iPrint version:$$aGarfield, Rachel.$$tExperimental filmmaking and punk$$dLondon ; New York : Bloomsbury Academic, 2021$$z9781788313995$$w(DLC)  2021017620
001389159 852__ $$bebk
001389159 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=6727056$$zOnline Access
001389159 909CO $$ooai:library.usi.edu:1389159$$pGLOBAL_SET
001389159 980__ $$aBIB
001389159 980__ $$aEBOOK
001389159 982__ $$aEbook
001389159 983__ $$aOnline