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001389727 05000 $$aE175$$b.T975 2005
001389727 1001_ $$aTyrrell, Ian R.
001389727 24510 $$aHistorians in public :$$bthe practice of American history, 1890-1970 /$$cIan Tyrrell.
001389727 260__ $$aChicago :$$bUniversity of Chicago Press,$$c2005.
001389727 300__ $$axii, 348 pages ;$$c24 cm
001389727 336__ $$atext$$btxt$$2rdacontent
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001389727 504__ $$aIncludes bibliographical references (pages 257-328) and index.
001389727 5050_ $$aWhat's wrong with history? the contemporary context -- The great Jeremiad: the history of historical specialization -- Searching for the general reader: professional historians, amateurs, and nonacademic audiences, 1890-1939 -- The crusade against pedantry and its aftermath: Allan Nevins and friends, 1930s-1950s -- Movies made history and history made movies -- Radio days: how the American Historical Association sought to meet a mass culture -- Contesting the retreat from the schools: progressives and teachers before World War II -- The patriots' call: American history and the school curriculum in war and peace -- Going public: public and applied history, 1890-1930 -- History making in the New Deal state -- States of war: World War II, the Cold War, and remaking history -- The state, the local, and the national: connecting and disconnecting with public audiences.
001389727 520__ $$aFrom lagging book sales and shrinking job prospects to concerns over the discipline's "narrowness," myriad factors have been cited by historians as evidence that their profession is in decline in America. Ian Tyrrell's Historians in Public shows that this perceived threat to history is recurrent, exaggerated, and often misunderstood. In fact, history has adapted to and influenced the American public more than people--and often historians--realize. Tyrrell's history of the practice of American history traces debates, beginning shortly after the profession's emergence in American academia, about history's role in school curricula. He also examines the use of historians in and by the government and whether historians should utilize mass media such as film and radio to influence the general public. As Historians in Public shows, the utility of history is a distinctive theme throughout the history of the discipline, as is the attempt to be responsive to public issues among pressure groups. An examination of the practice of American history since the turn of the century, Historians in Public uncovers the often tangled ways history-makers make history-both as artisans and as actors.
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