001390019 000__ 06496cam\\2200757\i\4500
001390019 001__ 1390019
001390019 003__ OCoLC
001390019 005__ 20220330003049.0
001390019 008__ 160812t20162016be\a\\\\\b\\\\101\0\eng\c
001390019 010__ $$a2016481507
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001390019 020__ $$a9782503549484$$q(paperback)
001390019 020__ $$a2503549489$$q(paperback)
001390019 035__ $$a(OCoLC)956545889
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001390019 050_4 $$aN6973.R9$$bA44 2016
001390019 08204 $$a700.92$$223
001390019 24504 $$aThe age of Rubens :$$bdiplomacy, dynastic politics and the visual arts in early seventeenth-century Europe /$$cedited by Luc Duerloo, University of Antwerp, R. Malcolm Smuts, University of Massachusetts Boston.
001390019 2463_ $$aDiplomacy, dynastic politics and the visual arts in early seventeenth-century Europe
001390019 264_1 $$aTurnhout, Belgium :$$bBrepols,$$c[2016]
001390019 264_4 $$c©2016
001390019 300__ $$a302 pages :$$billustrations (some color) ;$$c30 cm
001390019 336__ $$atext$$btxt$$2rdacontent
001390019 336__ $$astill image$$bsti$$2rdacontent
001390019 337__ $$aunmediated$$bn$$2rdamedia
001390019 338__ $$avolume$$bnc$$2rdacarrier
001390019 4901_ $$a[Museums at the crossroads] ;$$v[26]
001390019 500__ $$a"This collection grew out of a conference held at the Rubeniarum in Antwerp, in April 2012"--Page 3
001390019 500__ $$aSeries information from publisher's Web site, viewed June 18, 2017.
001390019 504__ $$aIncludes bibliographical references and index.
001390019 5050_ $$aOccasio's Lock of Hair : the artist and the ruler in pursuit of opportunity / Malcolm Smuts & Luc Duerloo -- Rubens and the spell of the Gonzaga Collections / Raffaella Morselli -- The representation of the French-Spanish marriage alliance in the Medici Cycle:'Concorde perpetuelle' / Nicola Courtright -- Rubens et l'invention d'une image politique : la France personnifiée, XVIe-XVIIe siècle / Jean-François Dubost -- High quality copies and the art of diplomacy during the Thirty Years War / Anthony Colantuono -- Ambition and ambivalence: Peter Paul Rubens as a diplomat / Michael Auwers -- Policy and pomegranates: art, iconography and counsel in Rubens's Anglo-Spanish diplomacy of 1629-1630 / John Adamson- Anthony van Dyck:a painter-diplomat of the Thirty Years' War? / Toby Osborne --The materials of marital diplomacy: Henrietta Maria's trousseau / Erin Griffey -- The representational strategies of the Count-Duke of Olivares and Elisabeth of France: equestrian portraits, Guardainfantes and miniatures (1628-1644) / Laura Oliván Santaliestra -- Rubens's myths for the Rey Planeta at the Torre de la Parada / Larry Silver -- Rubens allemand? Le duo formé par Georg Petel et Rubens / Blaise Ducos -- Rubens, Bishop Veit Adam von Gepeckh, and the Freising High Altar, 1623-1625 / Jeffrey Chipps Smit.
001390019 5200_ $$aThis thoroughly interdisciplinary collection of essays explores the multi-faceted relationship between international politics, diplomacy and the visual arts that developed during the early seventeenth century. Several chapters provide major re-evaluations of the career of Peter Paul Rubens as an artistdiplomat, based on previously neglected manuscript sources and a deepened analysis of the social and political environments in which he operated. Other contributors focus on Rubens's contemporary court artists, such as Anthony van Dyck, Guido Reni and Diego Velázquez. In addition to providing original interpretations of several important paintings and painting cycles, the volume examines such topics as the evolution of personified images of nationality, representations of dynastic marriages, the material culture of royal bridal trousseaus, the importance of details of costume and colour to the visual codes of baroque courts, and the roles played by artists within court societies. Ranging across Western Europe, from England to the Low Countries, France, Germany, Spain and Italy, these essays demonstrate conclusively the subtlety and complexity of visual communication within early baroque court societies, which enabled artists to convey complex political messages through paintings. The contributors to this volume display a variety of methodological approaches, demonstrating many different ways in which historical research can be fruitfully integrated with art historical analysis to generate new insights into both the visual culture and the politics of baroque Europe. -- publisher's statement.
001390019 546__ $$aContributions chiefly in English, with two in French.
001390019 60010 $$aRubens, Peter Paul,$$d1577-1640$$vCongresses.
001390019 60016 $$aRubens, Peter Paul,$$d1577-1640.$$0(CaOONL)ncf10464837
001390019 60017 $$aRubens, Peter Paul,$$d1577-1640$$2fast$$0(OCoLC)fst01759948
001390019 60017 $$aRubens, Peter Paul,$$d1577-1640.$$2nli
001390019 648_7 $$a1600-1699$$2fast
001390019 650_0 $$aArt$$xPolitical aspects$$zEurope$$xHistory$$y17th century$$vCongresses.
001390019 650_0 $$aArt, European$$y17th century$$xThemes, motives$$vCongresses.
001390019 650_0 $$aArt, Flemish$$y17th century$$xThemes, motives$$vCongresses.
001390019 650_0 $$aPolitics in art$$vCongresses.
001390019 650_6 $$aArt$$0(CaQQLa)000277091$$xAspect politique$$0(CaQQLa)000277091$$zEurope$$0(CaQQLa)201-0421387$$xHistoire$$0(CaQQLa)201-0378902$$y17e siècle$$0(CaQQLa)201-0378902$$vCongrès.$$0(CaQQLa)201-0378219
001390019 650_6 $$aArt européen$$0(CaQQLa)201-0062442$$y17e siècle$$0(CaQQLa)201-0373667$$xThèmes, motifs$$0(CaQQLa)201-0375196$$vCongrès.$$0(CaQQLa)201-0378219
001390019 650_6 $$aArt flamand$$0(CaQQLa)201-0146392$$y17e siècle$$0(CaQQLa)201-0373667$$xThèmes, motifs$$0(CaQQLa)201-0375196$$vCongrès.$$0(CaQQLa)201-0378219
001390019 650_6 $$aPolitique dans l'art$$0(CaQQLa)201-0028869$$vCongrès.$$0(CaQQLa)201-0378219
001390019 650_7 $$aPolitics in art.$$2fast$$0(OCoLC)fst01896083
001390019 650_7 $$aArt$$xPolitical aspects.$$2fast$$0(OCoLC)fst00815309
001390019 650_7 $$aArt, Flemish$$xThemes, motives.$$2fast$$0(OCoLC)fst00816277
001390019 650_7 $$aArt, European$$xThemes, motives.$$2fast$$0(OCoLC)fst00816264
001390019 650_7 $$aArt$$xPolitical aspects$$zEurope$$xHistory$$y17th century.$$2nli
001390019 650_7 $$aArt, European$$y17th century$$xThemes, motives.$$2nli
001390019 650_7 $$aArt, Flemish$$y17th century$$xThemes, motives.$$2nli
001390019 650_7 $$aPolitics in art.$$2nli
001390019 651_7 $$aEurope.$$2fast$$0(OCoLC)fst01245064
001390019 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001390019 655_7 $$aConference papers and proceedings.$$2fast$$0(OCoLC)fst01423772
001390019 7001_ $$aSmuts, R. Malcolm$$q(Robert Malcolm),$$eeditor.
001390019 7001_ $$aDuerloo, L.,$$eeditor.
001390019 7102_ $$aRubenianum,$$ehost institution.
001390019 830_0 $$aMuseums at the crossroads (Turnhout, Belgium) ;$$v26.$$x2565-8522
001390019 852__ $$bgen$$hN6973.R9$$iA44 2016
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001390019 980__ $$aBOOK
001390019 980__ $$aBIB