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001390233 001__ 1390233
001390233 003__ OCoLC
001390233 005__ 20220407003049.0
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001390233 08204 $$a709.41$$223
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001390233 1001_ $$aPowers, Alan,$$d1955-$$eauthor.$$4aut
001390233 24510 $$aBauhaus goes west :$$bmodern art and design in Britain and America /$$cAlan Powers.
001390233 264_1 $$aNew York, New York :$$bThames & Hudson Inc.,$$c2019.
001390233 264_4 $$c©2019
001390233 300__ $$a280 pages, 24 unnumbered pages of plates :$$billustrations (some color) ;$$c24 cm
001390233 336__ $$atext$$btxt$$2rdacontent
001390233 336__ $$astill image$$bsti$$2rdacontent
001390233 337__ $$aunmediated$$bn$$2rdamedia
001390233 338__ $$avolume$$bnc$$2rdacarrier
001390233 386__ $$mGender group:$$ngdr$$aMen$$2lcdgt
001390233 386__ $$mNationality/regional group:$$nnat$$aBritons$$2lcdgt
001390233 386__ $$mOccupational/field of activity group:$$nocc$$aArt historians$$2lcdgt
001390233 500__ $$a"120 illustrations"--Dust jacket front flap.
001390233 504__ $$aIncludes bibliographical references (pages 256-272) and index.
001390233 50500 $$g1.$$tElective Affinities: England and Germany --$$g2.$$t'A simpler and more cordial accent': Walter Gropius --$$g3.$$t'The habitability of the whole': Marcel Breuer --$$g4.$$t'That lovely madman': Laszlo Moholy-Nagy --$$g5.$$tThe People with No Taste: English Modernism in the 1930s --$$g6.$$tBeneath the radar: Other Bauhäusler in Britain --$$g7.$$tFor better, for worse: America's Bauhaus affair --$$g8.$$tDead or alive? The Bauhaus legacy.
001390233 5208_ $$a'Bauhaus Goes West' is a story of cultural exchange - between the Bauhaus emigres in the years following the school's closure in 1933 and the countries to which they moved, focusing in particular on Britain. Taking as its starting point the cultural connections between the UK and Germany in the early part of the 20th century, the book offers a timely re-evaluation of the school's influence on and relationship with modern art and design in Britain, concluding with the school's American legacy. 0Following the closure of the Bauhaus in 1933, teachers and students found new opportunities in Britain and the United States. Among them were Walter Gropius, Marcel Breuer and Laszlo Moholy-Nagy, who simultaneously spent time in London before moving to America, an episode often overlooked but freshly explored here in the context of the interaction between German Modernism and British-based design reform from 1900. Other Bauhaus-trained artists - women as well as men - stayed in the UK and made important contributions into the 1960s. In America, Mies van der Rohe and Josef and Anni Albers had significant late careers, but, over time, the Bauhaus became a shorthand for Modernism's failure. Now, the centenary of the school's founding provides a key opportunity to reconsider how its values emerged and were contested both during its lifetime and beyond.
001390233 61020 $$aBauhaus$$xInfluence.
001390233 61020 $$aBauhaus$$xHistory.
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001390233 852__ $$bgen$$hN 332 .G33$$iB4575 2019
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