Cover
Contents
Acknowledgments
Introduction: An Atlas of Ewa Partum's Artistic Practice
Opening the Archive
Horizontal Monograph
Framing Ewa Partum's Artistic Practice
Chapter 1 Existing Cartographies
The Trajectory of the Redistribution of Ewa Partum's Practice
The Genealogy of Ewa Partum's Artistic Practice: Text, Image, Body
Ewa Partum and Conceptual Orthodoxy
Negotiating Conceptual and Feminist Perspectives in Ewa Partum's Artistic Practice
Chapter 2 Ewa Partum's Critical Engagement with Art Infrastructures

Troubling Terminology: Art Infrastructures and the Socialist Art Institution
Entering the Professional Art World
Creating Art Infrastructures: the Galeria Adres (1972-77)
Re-entering the Professional Art World: Engaging with the Curatorial in the Context of Redistribution after 1989
Conclusion
Chapter 3 Ewa Partum's Conceptual Art
Conceptualism as a Circulating Idea
Practicing Conceptualism
Conclusion
Chapter 4Feminist Identifications in Ewa Partum's Artistic Practice
Feminist Self-Identification (1980)
Ewa Partum's Situated Feminism

Indicating Victims and Oppressors: Feminist Pedagogy in Performances in Socialist Poland (1974-82)
The Active Body: Rhetoric of Disinterestedness
The Feminist Emigrant Body: Performances in West Berlin (1982-89)
The Contemporary Gendered Economic Subject: The Delegated Performance Pearls (2006)
Translating Ewa Partum's Feminist Art Globally
Conclusion
Chapter 5The Spaces of the Political: Ewa Partum's Works in the Public Space
Public and Private Spheres in Partum's Work
The Public Space
East and West
Art in the Public Space in Socialist Europe

The Production of the Public Space in West Berlin
The Legality of Space (1971)
Private Performance (1985)
Conclusion
Instead of Conclusion: Distribution Map
The Musealization of the East
Operating from a Global Position
Illustrations
Bibliography