001391008 000__ 04621cam\a2200565\i\4500
001391008 001__ 1391008
001391008 003__ OCoLC
001391008 005__ 20230306153103.0
001391008 006__ m\\\\\o\\d\\\\\\\\
001391008 007__ cr\cn\nnnunnun
001391008 008__ 161213s2016\\\\sz\\\\\\ob\\\\001\0\eng\d
001391008 019__ $$a972743679$$a972966179$$a973058322
001391008 020__ $$a9783319448145$$q(electronic book)
001391008 020__ $$a3319448145$$q(electronic book)
001391008 020__ $$z9783319448138
001391008 020__ $$z3319448137
001391008 035__ $$aSP(OCoLC)965825042
001391008 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dEBLCP$$dDKDLA$$dOCLCO$$dN$T$$dIDB$$dAZU$$dCUY$$dUAB$$dCOO$$dCCO$$dIOG$$dOH1$$dOCLCF$$dYDX$$dESU$$dOTZ$$dVT2$$dU3W$$dMERUC$$dOCLCA$$dKSU$$dEZ9$$dOCLCQ$$dAUD$$dOCLCQ$$dUKAHL$$dOCLCQ$$dEUN$$dOCLCO$$dNLW$$dOCLCO$$dOCLCQ$$dOCLCO
001391008 043__ $$as-py---
001391008 049__ $$aISEA
001391008 050_4 $$aPN1993.5.P3$$bR66 2016eb
001391008 050_4 $$aJL3281$$b.R664 2016eb
001391008 08204 $$a301
001391008 1001_ $$aRomero, Eva Karene,$$eauthor.
001391008 24510 $$aFilm and democracy in Paraguay /$$cEva Karene Romero.
001391008 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2016]
001391008 300__ $$a1 online resource
001391008 336__ $$atext$$btxt$$2rdacontent
001391008 337__ $$acomputer$$bc$$2rdamedia
001391008 338__ $$aonline resource$$bcr$$2rdacarrier
001391008 504__ $$aIncludes bibliographical references (pages 157-164) and index.
001391008 5050_ $$aAcknowledgments; Contents; List of Figures; Chapter 1: Introduction; Statement of Aims; Small Cinemas and Small Countries Matter; Transition; The Present Past; Chapters; Notes; Chapter 2: Hamaca paraguaya (2006): The Campesino and Circular Time; A Film in Which Protagonists Do Almost Nothing, Dialogue Is Never Spoken and Important Characters Remain Invisible; Dual Temporalities and a Record of Violence: No Future; To Disavow Race Results in a Haunting by Time; Conclusion; Notes; Chapter 3: Frankfurt (2008): Documentary, Fútbol and the Campesino Icon in Paraguay.
001391008 5058_ $$aTelevision, Division and Inclusion; Football and (Self) Recognition; Winners, Losers and Affect; Historical Border Wars and Contemporary Global Neoliberal Capitalism; The Market, the State and the Church; Conclusion; Notes; Chapter 4: Rape of the Nation: Karai norte (2009) and Noche adentro (2010); Noche adentro; The Triple Alliance War; Karai norte; La Mujer Paraguaya and Foundational Mestizaje Myths; Conclusion; Notes; Chapter 5: Queering Paraguayan Film: 108/Cuchillo de palo (2010) and Semana capital (2010); Cuchillo's Chiaroscuro; Pedro Costa.
001391008 5058_ $$aMacho Militarism Seasoned with Pious Catholicism; Transgender Women, Gay Men and Feminism; Contrasting Receptions: Semana capital; Conclusions; Notes; Chapter 6: The Child as Paraguay's Future: "Calle Última (2010), Mitaí́ (2011), and 7 cajas (2012)"; Mitaí́ (2011): The Independent Short and Disability; Calle Última (2010): The Pro-Child Project; 7 cajas (2012): The Blockbuster; The Child and Political Anxiety; Education and the Future; Conclusion; Notes; Bibliography; Filmography; Works Cited; Index.
001391008 506__ $$aAccess limited to authorized users.
001391008 520__ $$aThis book is dedicated to the study of Paraguayan film, particularly small cinemas and movies which represent a socio-politically charged perspective that has until now been overlooked in Latin American Studies. Romero demonstrates that these films are critical to understanding the dynamics of politics and cultural identity in Latin America as a whole. An in-depth exploration of the Latin American post-dictatorial transition of power Romero investigates this contemporary crisis through the dynamics of race, class, gender, and sexuality. Each chapter takes a film or films as its jumping off point, then zooms out to encompass elements of the national political, economic, social, and historical context. Romero analyzes some of the most pressing social issues in Paraguay while reflecting on the power of cultural discourse through film.
001391008 588__ $$aVendor-supplied metadata.
001391008 650_0 $$aPolitics in motion pictures.
001391008 650_0 $$aMotion pictures$$xPolitical aspects$$zParaguay$$xHistory$$y21st century.
001391008 650_6 $$aPolitique au cinéma.
001391008 651_0 $$aParaguay$$xPolitics and government$$y1989-
001391008 651_6 $$aParaguay$$xPolitique et gouvernement$$y1989-
001391008 655_0 $$aElectronic books
001391008 77608 $$iPrint version:$$aRomero, Eva Karene.$$tFilm and democracy in Paraguay.$$dCham, Switzerland : Palgrave Macmillan, [2016]$$z9783319448138$$z3319448137$$w(OCoLC)968926590
001391008 852__ $$bebk
001391008 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-44814-5$$zOnline Access$$91397441.1
001391008 909CO $$ooai:library.usi.edu:1391008$$pGLOBAL_SET
001391008 980__ $$aBIB
001391008 980__ $$aEBOOK
001391008 982__ $$aEbook
001391008 983__ $$aOnline
001391008 994__ $$a92$$bISE