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001391009 0247_ $$a10.1007/978-3-319-40964-1$$2doi
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001391009 050_4 $$aNX531.A1$$bB5 2016
001391009 08204 $$a860.9982$$223
001391009 1001_ $$aBlejmar, Jordana,$$eauthor.
001391009 24510 $$aPlayful memories :$$bthe autofictional turn in post-dictatorship Argentina /$$cJordana Blejmar.
001391009 264_1 $$aCham, Switzerland. :$$bPalgrave Macmillan,$$c[2016]
001391009 300__ $$a1 online resource (240 pages)
001391009 336__ $$atext$$btxt$$2rdacontent
001391009 337__ $$acomputer$$bc$$2rdamedia
001391009 338__ $$aonline resource$$bcr$$2rdacarrier
001391009 347__ $$atext file$$bPDF$$2rda
001391009 4901_ $$aPalgrave Macmillan Memory Studies
001391009 504__ $$aIncludes bibliographical references and index.
001391009 5050_ $$aIntroduction -- The autofictional turn, playful memories of trauma and the post-dictatorship generations -- Toying the history in Albertina Carri's Los rubios -- Self-fictionalization, parody and testimony in Diario de una princessa montonera- 110% Verdad and Montonerisima -- Happily ever after? Guerrilla Fables and fairy tales of disappearance -- Lucila Quieto's Ludic Gaze -- The defamiliarized past in Felix Bruzzone's comical autofictions -- Monstrous memories -- Conclusion.
001391009 506__ $$aAccess limited to authorized users.
001391009 520__ $$aThis volume examines the blending of fact and fiction in a series of cultural artefacts by post-dictatorship writers and artists in Argentina, many of them children of disappeared or persecuted parents. Jordana Blejmar argues that these works, which emerged after the turn of the millennium, pay testament to a new cultural formation of memory characterised by the use of autofi ction and playful aesthetics. She focuses on a range of practitioners, including Laura Alcoba, Lola Arias, Félix Bruzzone, Albertina Carri, María Giuffra, Victoria Grigera Dupuy, Mariana Eva Perez, Lucila Quieto, and Ernesto Semán, who look towards each other's works across boundaries of genre and register as part of the way they address the legacies of the 1976-1983 dictatorship. Approaching these texts not as second-hand or adoptive memories but as memories in their own right, Blejmar invites us to recognise the subversive power of self-figuration, play and humour when dealing with trauma.
001391009 588__ $$aDescription based on print version record.
001391009 650_0 $$aArts, Argentine$$y21st century$$xSocial aspects.
001391009 650_0 $$aArgentine literature$$y21st century$$xSocial aspects.
001391009 650_0 $$aCollective memory$$zArgentina.
001391009 650_6 $$aArts argentins$$y21e siècle$$xAspect social.
001391009 650_6 $$aLittérature argentine$$y21e siècle$$xAspect social.
001391009 650_6 $$aMémoire collective$$zArgentine.
001391009 655_0 $$aElectronic books
001391009 77608 $$iPrint version:$$aBlejmar, Jordana.$$tPlayful Memories : The Autofictional Turn in Post-Dictatorship Argentina.$$dCham : Springer International Publishing, ©2016$$z9783319409634$$w(OCoLC)950953732
001391009 830_0 $$aPalgrave Macmillan memory studies.
001391009 852__ $$bebk
001391009 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-40964-1$$zOnline Access$$91397441.1
001391009 909CO $$ooai:library.usi.edu:1391009$$pGLOBAL_SET
001391009 980__ $$aBIB
001391009 980__ $$aEBOOK
001391009 982__ $$aEbook
001391009 983__ $$aOnline
001391009 994__ $$a92$$bISE