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Introduction
The autofictional turn, playful memories of trauma and the post-dictatorship generations
Toying the history in Albertina Carri's Los rubios
Self-fictionalization, parody and testimony in Diario de una princessa montonera- 110% Verdad and Montonerisima
Happily ever after? Guerrilla Fables and fairy tales of disappearance
Lucila Quieto's Ludic Gaze
The defamiliarized past in Felix Bruzzone's comical autofictions
Monstrous memories
Conclusion.

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