001391122 000__ 04450cam\\2200661\a\4500 001391122 001__ 1391122 001391122 003__ OCoLC 001391122 005__ 20220504003053.0 001391122 007__ ta\|||||||||||||||||||| 001391122 008__ 030522s2003\\\\nyua\\\\\bc\\\001\0deng\c 001391122 010__ $$a2003536801 001391122 019__ $$a790243312$$a965960038 001391122 020__ $$a0870702424$$q(paper) 001391122 020__ $$a9780870702426$$q(paper) 001391122 020__ $$a0870702416$$q(cl.) 001391122 020__ $$a9780870702419$$q(cl.) 001391122 035__ $$a(OCoLC)52300793$$z(OCoLC)790243312$$z(OCoLC)965960038 001391122 040__ $$aRSG$$beng$$cRSG$$dSMI$$dCAD$$dSYB$$dWCM$$dOCLCQ$$dDLC$$dOCLCQ$$dBAKER$$dBTCTA$$dYDXCP$$dRMC$$dAU@$$dUKTTE$$dMNE$$dOCLCA$$dOCLCF$$dOCLCQ$$dSE4M6$$dOCLCQ$$dCNGUL$$dOCLCA$$dTFW$$dOCLCO$$dCTX$$dOCLCQ$$dUKOBU$$dOCLCA$$dUKUOY$$dOCLCQ$$dCPO$$dOCLCO$$dCSE$$dOCLCO$$dJ9U$$dOCLCQ$$dISE 001391122 042__ $$apcc 001391122 049__ $$aISEA 001391122 05000 $$aN6888.B4$$bA4 2003 001391122 080__ $$a75 001391122 08200 $$a709/.2$$222 001391122 084__ $$aJ205.516$$2clc 001391122 1001_ $$aBeckmann, Max,$$d1884-1950. 001391122 24510 $$aMax Beckmann /$$cedited by Sean Rainbird. 001391122 260__ $$a[New York] :$$bMuseum of Modern Art :$$bDistributed in the United States and Canada by D.A.P./Distributed Art Publishers,$$c©2003. 001391122 300__ $$a293 pages :$$billustrations (many color) ;$$c28 cm 001391122 336__ $$atext$$btxt$$2rdacontent 001391122 337__ $$aunmediated$$bn$$2rdamedia 001391122 338__ $$avolume$$bnc$$2rdacarrier 001391122 500__ $$aCatalog of an exhibition held at Centre Georges Pompidou, Paris, Sept. 10, 2002-Jan. 6, 2003, Tate Modern, London, Feb. 12-May 5, 2003, MoMA QNS, New York, June 25-Sept. 30, 2003. 001391122 504__ $$aIncludes bibliographical references (pages 284-285) and index. 001391122 50500 $$tThe Beckmann effect /$$rRobert Storr --$$tImages of the times in Beckmann's early work /$$rSean Rainbird --$$tBeckmann's Frankfurt cityscapes : concepts of space /$$rSusanne Bieber --$$tThe painter at the beach : Beckmann's Italian paintings /$$rNina Peter --$$tBeckmann and the triptych : a sacred form in the context of modernism /$$rAnette Kruszynski --$$tBeckmann's lucid somnambulism /$$rDidier Ottinger --$$tLeon Golub on Beckmann --$$tA gathering storm : Max Beckmann and cultural politics 1925-38 /$$rSean Rainbird --$$tWallenstein in red /$$rBarbara Copeland Buenger --$$tBeckmann's Death /$$rWilliam Kentridge --$$tBeckmann : exile in Amsterdam 1937-47 /$$rJill Lloyd --$$tBoston, Beckmann and after /$$rEllsworth Kelly --$$tPoetics of space : Beckmann's Falling Man /$$rCharles W. Haxthausen. 001391122 5201_ $$a"Max Beckmann (1884-1950) is widely acknowledged as one of Germany's leading painters of the twentieth century. His work has affinities with Expressionism and, in the 1920, with Neue Sachlichkeit (New Objectivity)." "This collaboration, an association between the Pompidou Centre, Tate Modern and The Museum of Modern Art, marks the first occasion since the 1960s that Paris, London and New York have hosted comprehensive surveys dedicated to Beckmann's work. This book, shared between Tate Modern and The Museum of Modern Art, is the first comprehensive English-language catalogue on the artist published since Beckmann's centenary retrospective in 1984. It contains new research by German, American and British scholars, using documentary material published over the past decade. There are, too, several distinctive essays by practicing artists, for whom Beckmann's contribution to art has special significance."--Jacket 001391122 60010 $$aBeckmann, Max,$$d1884-1950$$xCriticism and interpretation. 001391122 60010 $$aBeckmann, Max,$$d1884-1950$$vExhibitions. 001391122 60017 $$aBeckmann, Max$$xCriticism and interpretation.$$2cct 001391122 60017 $$aBeckmann, Max.$$2cct 001391122 60017 $$aBeckmann, Max,$$d1884-1950$$2fast$$0(OCoLC)fst00046654 001391122 60017 $$aBeckmann, Max,$$d1884-1950$$xCriticism and interpretation.$$2nli 001391122 60017 $$aBeckmann, Max,$$d1884-1950$$vExhibitions.$$2nli 001391122 60017 $$aBeckmann, Max,$$d1884-1950.$$2nli 001391122 650_7 $$aTyskland.$$2humord 001391122 650_7 $$aMalerkunst.$$2humord 001391122 650_7 $$a1900-tallet.$$2humord 001391122 650_7 $$aEkspresjonisme (Kunst)$$2humord 001391122 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635 001391122 655_7 $$aExhibition catalogs.$$2fast$$0(OCoLC)fst01424028 001391122 655_7 $$aExhibition catalogs.$$2lcgft 001391122 7001_ $$aRainbird, Sean. 001391122 7102_ $$aMuseum of Modern Art (New York, N.Y.) 001391122 7102_ $$aCentre Georges Pompidou. 001391122 7102_ $$aTate Modern (Gallery) 001391122 77608 $$iOnline version:$$aBeckmann, Max, 1884-1950.$$tMax Beckmann.$$d[New York] : Museum of Modern Art : Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, ©2003$$w(OCoLC)649172611 001391122 852__ $$bgen$$hN6888.B4$$iA4 2003 001391122 909CO $$ooai:library.usi.edu:1391122$$pGLOBAL_SET 001391122 938__ $$aBaker & Taylor$$bBKTY$$c65.00$$d48.75$$i0870702416$$n0004145627$$sactive 001391122 938__ $$aBaker and Taylor$$bBTCP$$nbl2006014917 001391122 938__ $$aYBP Library Services$$bYANK$$n2019551 001391122 980__ $$aBOOK 001391122 980__ $$aBIB