Introduction / Sophie Saint-Just and Toni Pressley-Sanon
History is Too Important to Leave to Hollywood: Colonialism, Genocide and Memory in the Films of Raoul Peck / Alyssa Goldstein Sepinwall
Disrupting conventional film structure: letters, voice-over, and traumatic irruption in Raoul Peck's films / Joëlle Vitiello
"My story is not a nice story": Sometimes in April (2005) and the Rwandan genocide film / Jane M. Bryce
Framing the dispersal in diaspora: Raoul Peck, transnational filmmaker / Sophie Saint-Just
On the edge of silence: l(in)-imaginable and gendered representations of the Rwandan genocide from photography to Raoul Peck's Sometimes in April / Myriam J. A. Chancy
Haitian national identity and gender in Raoul Peck's Moloch tropical / Tama Hamilton-Wray
Interrogating images: Lumumba: death of a prophet as reflexive autobiographical documentary / Rachel Gabara
Postcolonialism and the poetics of pragmatism: Raoul Peck's Fatal assistance and Alain Resnais's Hiroshima mon amour / Alessandra Benedicty-Kokken
"Haiti mon amour" / John P. Walsh
Lòt Bo and Anba Dlo: the dialectics of Raoul Peck's Désounen: dialogue with death / Toni Pressley-Sanon
Politics, masculinity, and apocalyptic memory in L'homme sur les quais / Martin Munro
Lessons from the cinema of Raoul Peck / Olivier Barlet; translated by Sophie Saint-Just
Stolen images or footnotes: keynote address to the 2013 Haitian Studies Association Conference / Raoul Peck; translated by Sophie Saint-Just
"Beyond help?": address by Raoul Peck, Conference on "Beyond aid: from charity to solidarity", Frankfurt, Germany, February 20, 2014 / Raoul Peck; translated by Alyssa Goldstein Sepinwall.