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Table of Contents
Some matters of terminology and other preliminaries
The recognition of key
Tonal balance and minor tonality : the use of sequences; dissonance
The rule of the octave : harmony and rhythm
The enhanced tonic : fugal technique and tonality
Complex key
The classical style
The classical style
Classical to romantic : Beethoven and Schubert
The romantic era (1) : Chopin, Brahms and Mendelssohn
The romantic era (2) : the age of Wagner
The perception of music
The twentieth century (1) : the palette of Debussy
The twentieth century (2) : themes and theories in the music of Stravinsky and some other composers
The twentieth century (3) : techniques and treatises : Bartók, Hindemith, and others
Saturday night and Sunday morning
Two cultures
Medival to Renaissance
Renaissance to Baroque
Back to the future.
The recognition of key
Tonal balance and minor tonality : the use of sequences; dissonance
The rule of the octave : harmony and rhythm
The enhanced tonic : fugal technique and tonality
Complex key
The classical style
The classical style
Classical to romantic : Beethoven and Schubert
The romantic era (1) : Chopin, Brahms and Mendelssohn
The romantic era (2) : the age of Wagner
The perception of music
The twentieth century (1) : the palette of Debussy
The twentieth century (2) : themes and theories in the music of Stravinsky and some other composers
The twentieth century (3) : techniques and treatises : Bartók, Hindemith, and others
Saturday night and Sunday morning
Two cultures
Medival to Renaissance
Renaissance to Baroque
Back to the future.