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Table of Contents
Introduction: pleasure, pedagogy, and popular culture / Douglas Brode
A less than wonderful "world": challenging Disney myths / Janet Wasko
Gender and genre: brains, brawn, and masculine desire in Walt Disney's science fiction classic science-fiction film
James W. Maertens
The past as product in the present: Disney and the imagineering of history / Scott Schaeffer
Changing people, altering places: Disney's two Japans / Cynthia J. Miller & A. Bowdoin Van Riper
"With a smile and a song": Walt Disney and the birth of the American fairytale / Tracy Mollet
Seeing white: children of color and the Disney fairy tale: Princess / Dorothy l. Hurley
Seeing black: critical reactions to The princess and the frog / Shea T. Brode
Objectivism versus altruism
-a choice of heroes for the 1950s: Stanley Kramer's High noon (1952) and Walt Disney's Davy Crockett, king of the wild frontier (1954-1955) / Douglas Brode
"Savages, savages, barely even human": native American representations in Disney films / Myles Russell-Cook
"Roar!": representations of gender, sexuailty, and race in Walt Disney's The lion king / Georgia Vraketta
"A family of wolves I knew": Disney's Wonderful world of nature / David Haworth
"Who's watching the kids?": caregiving and parenting in Disney films / Jeanne Holcomb, Daniel Fernandez-Baca, and Kenzic Lathau
Cinematic existentialism, political agendas: Walt Disney's Aladdin / Samantha Heydt
The ambiguous Captain Jack Sparrow: destabilizing gender, politics, and religion in Pirates of the Caribbean / Jennifer Porter
"Death be not proud": the "Final curtain" in Disney Entertainment / Gary Laderman
Fantasy worlds and Disney girls: frozen, brave, and re-imagined 21st century romance / Victoria Amador
Upon a dream once more: beauty redacted in Disney's re-adapted classics / Allison Craven
Deviance in Disney: of crime and the magic kingdom / Rebecca Rabison
Anti-semitism, American style and a man named Disney / Douglas Brode.
A less than wonderful "world": challenging Disney myths / Janet Wasko
Gender and genre: brains, brawn, and masculine desire in Walt Disney's science fiction classic science-fiction film
James W. Maertens
The past as product in the present: Disney and the imagineering of history / Scott Schaeffer
Changing people, altering places: Disney's two Japans / Cynthia J. Miller & A. Bowdoin Van Riper
"With a smile and a song": Walt Disney and the birth of the American fairytale / Tracy Mollet
Seeing white: children of color and the Disney fairy tale: Princess / Dorothy l. Hurley
Seeing black: critical reactions to The princess and the frog / Shea T. Brode
Objectivism versus altruism
-a choice of heroes for the 1950s: Stanley Kramer's High noon (1952) and Walt Disney's Davy Crockett, king of the wild frontier (1954-1955) / Douglas Brode
"Savages, savages, barely even human": native American representations in Disney films / Myles Russell-Cook
"Roar!": representations of gender, sexuailty, and race in Walt Disney's The lion king / Georgia Vraketta
"A family of wolves I knew": Disney's Wonderful world of nature / David Haworth
"Who's watching the kids?": caregiving and parenting in Disney films / Jeanne Holcomb, Daniel Fernandez-Baca, and Kenzic Lathau
Cinematic existentialism, political agendas: Walt Disney's Aladdin / Samantha Heydt
The ambiguous Captain Jack Sparrow: destabilizing gender, politics, and religion in Pirates of the Caribbean / Jennifer Porter
"Death be not proud": the "Final curtain" in Disney Entertainment / Gary Laderman
Fantasy worlds and Disney girls: frozen, brave, and re-imagined 21st century romance / Victoria Amador
Upon a dream once more: beauty redacted in Disney's re-adapted classics / Allison Craven
Deviance in Disney: of crime and the magic kingdom / Rebecca Rabison
Anti-semitism, American style and a man named Disney / Douglas Brode.