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Introduction: no regrets?
Viva Zapata! (1952) and Cold War liberalism
Kazan and the anticommunist film genre: Man on a tightrope (1953)
The ambivalence of informing: On the waterfront (1954)
Father and sons and the cost of pursuing the American Dream: East of Eden (1955)
Sexuality and the new south: Baby doll (1956)
A return to progressive principles and the shape of things to come: A face in the crowd (1957)
Looking backward and the cost of progress: Wild river (1960)
Anticipating the youth rebellion: Splendor in the grass (1960)
The Anatolian smile and the immigrant experience: America America (1963)
Rebelling against the arranged life: The arrangement (1969)
The final films: The visitors (1971) and The last tycoon (1976).

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