001397730 000__ 02781cam\a2200529\a\4500 001397730 001__ 1397730 001397730 005__ 20220525094336.0 001397730 006__ m\\\\\o\\d\\\\\\\\ 001397730 007__ cr\cn\nnnunnun 001397730 008__ 220525s2011\\\\nyua\\\\ob\\\\001\0\eng\d 001397730 010__ $$z2010041243 001397730 019__ $$a722864756 001397730 020__ $$a9780230118515$$q(electronic book) 001397730 020__ $$z9780230110854 001397730 035__ $$a(OCoLC)ocn714086291 001397730 035__ $$a(MiAaPQ)EBC686646 001397730 035__ $$a(CaPaEBR)ebr10467584 001397730 035__ $$a436579 001397730 035__ $$a(OCoLC)714086291 001397730 040__ $$aUKPGM$$beng$$cUKPGM$$dEBLCP$$dOCLCQ$$dN$T$$dYDXCP$$dCDX$$dE7B$$dOCLCQ 001397730 043__ $$ae-uk--- 001397730 05014 $$aPN2589$$b.T75 2011eb 001397730 08204 $$a792.0942/09031$$222 001397730 1001_ $$aTribble, Evelyn B. 001397730 24510 $$aCognition in the Globe$$h[electronic resource] :$$battention and memory in Shakespeare's theatre /$$cEvelyn B. Tribble. 001397730 250__ $$a1st ed. 001397730 260__ $$aNew York :$$bPalgrave Macmillan,$$c2011. 001397730 300__ $$a1 online resource (xv, 200 p.) :$$bill. 001397730 4901_ $$aCognitive studies in literature and performance 001397730 504__ $$aIncludes bibliographical references and index. 001397730 5050_ $$aMachine generated contents note: 1.The Stuff of Memory -- 2.Action and Accent: Voice, Gesture, Body, and Mind -- 3.Social Cognition: Enskillment in the Early Modern Theatre. 001397730 506__ $$aAccess limited to authorized users. 001397730 520__ $$a"Shakespeare's company coped with an enormous mnemonic load, performing up to six different plays a week. How did they do it? Cognition in the Globe addresses this question through the lens of distributed cognition. This is a dynamic model that attends to the art of 'playing' at a range of levels. These include the material conditions of playing space; artifacts such as parts, plots, and playbooks; the social structures of the companies, including methods of training and coordination; internal cognitive mechanisms such as attention, perception, and memory; and actor-audience dynamics, among many others. This is the first book to offer such an approach to theatrical history and performance studies"--$$cProvided by publisher. 001397730 588__ $$aDescription based on print version record. 001397730 60010 $$aShakespeare, William,$$d1564-1616$$xStage history$$yTo 1625. 001397730 60010 $$aShakespeare, William,$$d1564-1616$$xStage history$$zEngland. 001397730 60010 $$aShakespeare, William,$$d1564-1616$$xDramatic production. 001397730 650_0 $$aTheater$$zEngland$$xHistory$$y16th century. 001397730 650_0 $$aTheater$$zEngland$$xHistory$$y17th century. 001397730 650_0 $$aActing$$xHistory$$y16th century. 001397730 650_0 $$aActing$$xHistory$$y17th century. 001397730 77608 $$iPrint version:$$aTribble, Evelyn B.$$tCognition in the Globe.$$b1st ed.$$dNew York : Palgrave Macmillan, 2011$$z9780230110854$$w(DLC) 2010041243$$w(OCoLC)657600121 001397730 830_0 $$aCognitive studies in literature and performance. 001397730 8520_ $$bacq 001397730 85280 $$bebk$$hEBSCOhost 001397730 85640 $$3EBSCOhost$$uhttps://univsouthin.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=365747$$zOnline Access 001397730 909CO $$ooai:library.usi.edu:436579$$pGLOBAL_SET 001397730 980__ $$aEBOOK 001397730 980__ $$aBIB 001397730 982__ $$aEbook 001397730 983__ $$aOnline