001398200 000__ 02909cam\a2200493\i\4500
001398200 001__ 1398200
001398200 003__ OCoLC
001398200 005__ 20230306153105.0
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001398200 007__ cr\cn\nnnunnun
001398200 008__ 181015s2019\\\\sz\\\\\\ob\\\\001\0\eng\d
001398200 020__ $$a9789811321702$$q(electronic bk.)
001398200 020__ $$a9811321701$$q(electronic bk.)
001398200 020__ $$z9789811321696
001398200 035__ $$aSP(OCoLC)1056952096
001398200 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dUKMGB$$dOCLCF$$dFIE$$dMERER$$dOCLCQ$$dOCLCO
001398200 049__ $$aISEA
001398200 050_4 $$aPN2039
001398200 08204 $$a792.01$$223
001398200 1001_ $$aCai, Xiao.
001398200 24514 $$aThe ethics of witness :$$bdailiness and history in Hou Hsiao-hsien's films /$$cXiao Cai.
001398200 264_1 $$aCham :$$bSpringer,$$c[2019]
001398200 300__ $$a1 online resource
001398200 336__ $$atext$$btxt$$2rdacontent
001398200 337__ $$acomputer$$bc$$2rdamedia
001398200 338__ $$aonline resource$$bcr$$2rdacarrier
001398200 504__ $$aIncludes bibliographical references and index.
001398200 5050_ $$aHou Hsiao-hsien: Films and Reading -- A Poetics of Time: the Representation of Daily Life -- Remapping Taiwan: Space as a Time Monument -- The Poetics of Memory and Mourning -- The Poetics of the Ordinary in Representation of History.
001398200 506__ $$aAccess limited to authorized users.
001398200 520__ $$aThis book explores the aesthetic and ethical ways in which history and daily life are filmically represented and witnessed in Taiwanese director Hou Hsiao-hsien's movies. From the era of the Japanese Occupation to the White Horror and then to the lifting of martial law, the author shows how Hou Hsiao-hsien uses visual media to evoke the rhythms of daily life through the emotional memory of the characters and communities he explores. In particular, the book focuses on the ways in which Hou Hsiao-hsien seeks to reflect the strong dilemmas of identity and the traumatic emotions associated with witnessing history. Taking an interdisciplinary approach, it investigates the concepts of daily life, representation and historical trauma in order to focus on how these films represent history and political trauma through the nature of daily life and personal memories, and the resulting historical responsibility and ethics. This is the first academic monography about Hou Hsiao-hsien's films.--$$cProvided by publisher.
001398200 588__ $$aOnline resource; title from PDF title page (EBSCO, viewed October 17, 2018).
001398200 60010 $$aHou, Xiaoxian,$$d1947-$$xCriticism and interpretation.
001398200 650_0 $$aMotion pictures and history.
001398200 650_0 $$aTheater$$xPhilosophy.
001398200 650_0 $$aTheater and society.
001398200 650_6 $$aCinéma et histoire.
001398200 650_6 $$aThéâtre et société.
001398200 655_0 $$aElectronic books
001398200 852__ $$bebk
001398200 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-13-2170-2$$zOnline Access$$91397441.1
001398200 909CO $$ooai:library.usi.edu:1398200$$pGLOBAL_SET
001398200 980__ $$aBIB
001398200 980__ $$aEBOOK
001398200 982__ $$aEbook
001398200 983__ $$aOnline
001398200 994__ $$a92$$bISE