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001398578 019__ $$a767855567
001398578 020__ $$a9781139161473 (electronic bk.)
001398578 020__ $$a1139161474 (electronic bk.)
001398578 020__ $$z9781107008496
001398578 020__ $$z1107008492
001398578 0248_ $$a9786613342539
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001398578 035__ $$a(OCoLC)773040620
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001398578 035__ $$a456697
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001398578 08204 $$a809.3/9112$$222
001398578 1001_ $$aGreenberg, Jonathan Daniel,$$d1968-
001398578 24510 $$aModernism, satire, and the novel$$h[electronic resource] /$$cJonathan Greenberg.
001398578 260__ $$aCambridge ;$$aNew York :$$bCambridge University Press,$$c2011.
001398578 300__ $$a1 online resource (xviii, 220 p.) :$$bill.
001398578 504__ $$aIncludes bibliographical references and index.
001398578 5050_ $$aPreface: the Uncle Fester principle; 1. Satire and its discontents; 2. Modernism's story of feeling; 3. The rule of outrage: Evelyn Waugh's Vile Bodies; 4. Laughter and fear in A Handful of Dust; 5. Cold Comfort Farm and mental life; 6. Nathanael West and the mystery of feeling; 7. Nightwood and the ends of satire; 8. Beckett's authoritarian personalities.
001398578 506__ $$aAccess limited to authorized users.
001398578 520__ $$a"In this groundbreaking study, Jonathan Greenberg locates a satiric sensibility at the heart of the modern. By promoting an antisentimental education, modernism denied the authority of emotion to guarantee moral and literary value. Instead, it fostered sophisticated, detached and apparently cruel attitudes toward pain and suffering. This sensibility challenged the novel's humanistic tradition, set ethics and aesthetics into conflict and fundamentally altered the ways that we know and feel. Through lively and original readings of works by Evelyn Waugh, Stella Gibbons, Nathanael West, Djuna Barnes, Samuel Beckett and others, this book analyzes a body of literature - late modernist satire - that can appear by turns aloof, sadistic, hilarious, ironic and poignant, but which continually questions inherited modes of feeling. By recognizing the centrality of satire to modernist aesthetics, Greenberg offers not only a new chapter in the history of satire but a persuasive new idea of what made modernism modern"--$$cProvided by publisher.
001398578 588__ $$aDescription based on print version record.
001398578 650_0 $$aModernism (Literature)
001398578 650_0 $$aSatire$$xHistory and criticism.
001398578 650_0 $$aEmotions in literature.
001398578 77608 $$iPrint version:$$aGreenberg, Jonathan Daniel, 1968-$$tModernism, satire, and the novel.$$dCambridge ; New York : Cambridge University Press, 2011$$z9781107008496$$w(DLC)  2011009239$$w(OCoLC)707626655
001398578 8520_ $$bacq
001398578 85280 $$bebk$$hProQuest Ebook Central Academic Complete
001398578 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=807205$$zOnline Access
001398578 85642 $$3Cover image$$uhttp://assets.cambridge.org/97811070/08496/cover/9781107008496.jpg
001398578 909CO $$ooai:library.usi.edu:456697$$pGLOBAL_SET
001398578 980__ $$aEBOOK
001398578 980__ $$aBIB
001398578 982__ $$aEbook
001398578 983__ $$aOnline
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