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Table of Contents
Part One: Plays
1. Feeling fear in Macbeth / Allison P. Hobgood
2. Hearing Iago's withheld confession / Allison K. Deutermann
3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor
Part Two: Playhouses
4. Conceiving tradgedy / Tanya Pollard
5. Playing with appetitie in early modern comedy / Hillary M. Nunn
6. Notes towards an analysis of earyly modern applause / Matthew Steggle
7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist
8. Epigrammatic commotions / William Kerwin
9. Poetic "making" and moving the soul / Margaret Healy
10. Shakespearean pain / Michael Schoenfeldt
Afterword: Senses of an ending / Bruce R. Smith
1. Feeling fear in Macbeth / Allison P. Hobgood
2. Hearing Iago's withheld confession / Allison K. Deutermann
3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor
Part Two: Playhouses
4. Conceiving tradgedy / Tanya Pollard
5. Playing with appetitie in early modern comedy / Hillary M. Nunn
6. Notes towards an analysis of earyly modern applause / Matthew Steggle
7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist
8. Epigrammatic commotions / William Kerwin
9. Poetic "making" and moving the soul / Margaret Healy
10. Shakespearean pain / Michael Schoenfeldt
Afterword: Senses of an ending / Bruce R. Smith