001398750 000__ 05085nam\a2200589\i\4500 001398750 001__ 1398750 001398750 003__ NhCcYBP 001398750 005__ 20220610003051.0 001398750 006__ m\\\\\o\\d\\\\\\\\ 001398750 007__ cr\cn\nnnunnun 001398750 008__ 220402s2022\\\\enk\\\\\o\\\\\000\0\eng\d 001398750 020__ $$a9781009072731$$q(electronic book) 001398750 020__ $$a1009072730$$q(electronic book) 001398750 020__ $$a9781009075701$$q(electronic book) 001398750 020__ $$a1009075705$$q(electronic book) 001398750 020__ $$z1316513491 001398750 020__ $$z9781316513491 001398750 040__ $$aNhCcYBP$$cNhCcYBP 001398750 050_4 $$aPR461$$b.W58 2022 001398750 08204 $$a820.9/355$$223/eng/20220427 001398750 1001_ $$aWitcher, Heather Bozant,$$d1988-$$eauthor. 001398750 24510 $$aCollaborative writing in the long nineteenth century :$$bsympathetic partnerships in artistic creation /$$cHeather Bozant Witcher. 001398750 24630 $$aSympathetic partnerships in artistic creation 001398750 264_1 $$aCambridge, United Kingdom ;$$aNew York :$$bCambridge University Press,$$c2022. 001398750 300__ $$a1 online resource. 001398750 336__ $$atext$$btxt$$2rdacontent 001398750 337__ $$acomputer$$bc$$2rdamedia 001398750 338__ $$aonline resource$$bcr$$2rdacarrier 001398750 4900_ $$aCambridge studies in nineteenth-century literature and culture ;$$v135 001398750 5050_ $$aCover -- Half-title page -- Series page -- Title page -- Copyright page -- Dedication -- Contents -- List of Figures -- Acknowledgments -- Introduction -- (Re)Defining Collaboration -- Chapter 1 Adam Smith's Liberal Sympathy -- "Enter[ing] into" Smithean Sympathy -- Tracing Sympathy in the Long Nineteenth Century -- Sympathetic Collaboration and Smithean Liberalism -- Liberal Impulses of a Sympathetic Poet -- Chapter 2 "O You Pretty Pecksie!": The Collaborative Process of Mary Shelley and Percy Bysshe Shelley -- Circulating Feeling in Travels and Shared Life-Writing 001398750 5058_ $$aReunifying Circles: Free Love and Ideal Sympathetic Communities -- Constructing Frankenstein: Animating Sympathetic Narratives -- Chapter 3 Written-Visual Aesthetics: The Rossettis and the Pre-Raphaelites -- The Golden Age of Illustration: Books as Social Processes -- Epistolary Evidence in The Prince's Progress (1866) -- Situating Christina Rossetti within the Brotherhood -- Concord between Illustration and Verse -- Christina's "Inner Consciousness": Sympathy and Social Concern -- Coda: Towards a "Totalized Art." 001398750 5058_ $$aChapter 4 Typographical Adventures: William Morris, Community, and the Kelmscott Press -- The William Morris Paradox -- Circles of Sympathy: Smith's Impartial Spectator and Liberal Community -- Social Experimentation and Typographical Adventure -- "Sympathetic Translation": Concord in the Ideal Book -- "Part of a Whole": Morris's Ideals versus Victorian Practice -- Morris's "little job": Producing the Kelmscott Chaucer -- "Fingers, Eyes, and Sympathy": Robert Catterson-Smith and Edward Burne-Jones -- "A Thing Is Either All Right or Wrong." 001398750 5058_ $$aMorris and Charles Gere's Collaboration for News from Nowhere -- Pleasure in the "Lesser Arts" -- Chapter 5 Sim and Puss: The Sympathetic Mirroring of Michael Field -- Crossing and Interlacing: Writing as Mosaic -- A Textured Approach to Life-Writing -- Sympathetic Transportation to Edinburgh -- Collaborating with the Past in Decadent Drama and Balladry -- Metrical Transport and Transgressive Remembrance -- Chapter 6 Towards Empathy: Vernon Lee's Psychological Aesthetics -- Fluidity of Transition: From Sympathy to Empathy -- A Partnership of "Loose End[s]." 001398750 5058_ $$aIndividual or Communal?: Waking from "False Aestheticism" -- The Companionate Nature of Belcaro -- Isolating Effects of Empathy -- Conclusion -- Notes -- Introduction -- 1 Adam Smith's Liberal Sympathy -- 2 "O You Pretty Pecksie!" -- 3 Written-Visual Aesthetics -- 4 Typographical Adventures -- 5 Sim and Puss -- 6 Towards Empathy -- Conclusion -- Bibliography -- Index 001398750 506__ $$aAccess limited to authorized users 001398750 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 001398750 60010 $$aShelley, Mary Wollstonecraft,$$d1797-1851$$xCriticism and interpretation. 001398750 60010 $$aShelley, Percy Bysshe,$$d1792-1822$$xCriticism and interpretation. 001398750 60010 $$aMorris, William,$$d1834-1896$$xCriticism and interpretation. 001398750 60010 $$aField, Michael$$xCriticism and interpretation. 001398750 60010 $$aLee, Vernon,$$d1856-1935$$xCriticism and interpretation. 001398750 650_0 $$aAuthorship$$xCollaboration$$xHistory$$y19th century. 001398750 650_0 $$aEnglish literature$$y19th century$$xHistory and criticism. 001398750 650_0 $$aInfluence (Literary, artistic, etc.)$$xHistory$$y19th century. 001398750 655_0 $$aElectronic books 001398750 7102_ $$aProQuest (Firm) 001398750 77608 $$iPrint version:$$aWitcher, Heather Bozant, 1988-$$tCollaborative writing in the long nineteenth century.$$dCambridge, United Kingdom ; New York : Cambridge University Press, 2022$$z1316513491$$z9781316513491 001398750 852__ $$bebk 001398750 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=6942558$$zOnline Access 001398750 909CO $$ooai:library.usi.edu:1398750$$pGLOBAL_SET 001398750 980__ $$aBIB 001398750 980__ $$aEBOOK 001398750 982__ $$aEbook 001398750 983__ $$aOnline